Since my breakthrough, I’ve been having more fun with
my drawings from imagination, but I’m working much harder in a different way. I
have greater admiration now for cartoonists and others who draw from their
heads. I spend way more time thinking about ideas than I do with execution. I enjoy
being creatively engaged – thinking sporadically throughout the day about ideas
for future drawings – but I realize now how much more relaxing and unpressured
it is to sketch on location. For the latter, I simply show up and draw whatever
I see. Certainly there’s work in looking for an interesting composition, but
having the limitations of whatever is visually present makes the job much
easier. I didn’t think it was possible, but I have an even greater appreciation
for urban sketching now!
Coffee cup with built-in cream dispenser
Despite the brain work, I am thoroughly enjoying my 100 Day Project again. It’s still pushing me firmly outside my comfort zone,
but without the daily “test” that the frustrating memory exercises used to be.
My vocabulary of objects that I can draw without observational help is humorously
limited, so I’m challenged in that way, but on the other hand, the limit makes
things easier. If I could draw anything from my head that I wanted to, I would
probably take even more time to conceive ideas. And the more elaborate the
concept, the longer it would take to draw. Faucets, handles, pumps and scissors
are things I can draw from memory in a few minutes (though the ideas may have
been stewing for days).
The Faucet Architectural era
My limited vocabulary drives home an important point: The
more I draw from observation and then practice from memory, the wider my
vocabulary will become. This is proof positive that drawing from observation is
never wasted. In fact, I absolutely believe it continues to be the most
important skill I can develop for whatever I want to draw – from sight, from
memory or from imagination. It seems so obvious and fundamental, and yet
drawing from observation for 10 years did not make me appreciate that basic
skill as much as I do right now.
I agree with your assessments. Location sketching is REALLY relaxing. It's also the case that going down a different road, where you've got to think about what you're going to draw and how you're going to do it, is far more challenging. Doing both becomes very exciting.
I think your memory sketching is going to pay off big time when you are doing urban sketching since our models move off so often before we finish them. I love your clever combinations in these sketches. They make me chuckle.
I was relieved that you clarified what the clippers were for. My neti pot is my friend, but I would hate to think that my nose might be lost to her ;-)
I agree with your assessments. Location sketching is REALLY relaxing. It's also the case that going down a different road, where you've got to think about what you're going to draw and how you're going to do it, is far more challenging. Doing both becomes very exciting.
ReplyDeleteYeah, my brain is getting a workout lately ;-) , but it IS exciting!
DeleteI think your memory sketching is going to pay off big time when you are doing urban sketching since our models move off so often before we finish them. I love your clever combinations in these sketches. They make me chuckle.
ReplyDeleteI hope you're right! And glad that you find the sketches amusing! ;-)
DeleteI was relieved that you clarified what the clippers were for. My neti pot is my friend, but I would hate to think that my nose might be lost to her ;-)
ReplyDeleteThe ultimate spite of the face! ;-)
Delete