|1/13/19 Maple Leaf Park|
Wednesday, January 16, 2019
The Maple Leaf water tower is probably my most-often sketched artifact within walking distance of my house. On days when our usual mid-January doldrums are broken by well-deserved sunshine, I don’t care where I go – I just start walking, and Maple Leaf Park is where I often end up.
As I studied the tower, I was thinking about color but found myself reaching for my trusty Blackwing pencil instead. In bright sunlight, the tower is full of interesting cast shadows from the girding around it. But the most intriguing – and challenging – are those difficult shadows that describe its form – a cylinder around the middle, a saucer on top and another on the bottom. I love graphite for that type of shading; I haven’t used any other medium that is able to express roundish shading in quite the same way.
Tuesday, January 15, 2019
|1/12/19 Maple Leaf neighborhood|
|Even Weather Bunny enjoyed a brief al fresco coffee.|
We’re having a short spell of dry and even sunny weather! I wouldn’t go so far as to call it “warm” – I had hoped to sketch on the sidewalk, but in the shade, I got too chilly and retreated to my car – but any kind of outdoor sketching is better than none.
Driving home after getting coffee, I spotted another decorated tree in the ‘hood. Unlike last time when I found a festive traffic circle, the ornaments seemed a bit sparse. Maybe the last windstorm had taken its toll.
Monday, January 14, 2019
|1/8/19 Caran d'Ache Swisscolor pencils in Stillman & Birn Beta sketchbook|
From my own frustrating experiences, I’ve come to learn that the oft-repeated advice about art supplies is both smart and economical: Always buy the highest-quality materials you can afford. During my first couple of years of sketching, I paid my dues by ignoring that wisdom and struggled mightily trying to use watercolor on low-quality or inappropriate papers – which made it much harder to learn. Just a couple of months ago in the middle of reviewing some watercolor pencils, I was once again reminded of an early experience that recalled that advice (scroll to the end of that review if you want to cut to the chase).
Frustration and impeded learning are the worst results of using inferior products, but there’s a financial side to the issue, too. Although it seems economical to buy inexpensive materials when you’re just starting out and not sure if you even want to continue with the medium, it can be a false economy. If you use the product for only a short time before you realize how inferior they are, the cost of those materials, no matter how low, is wasted. I have learned this lesson repeatedly myself.
I have good intentions in doing my share of lecturing on this subject. However, I’ve lately started thinking that I may have discouraged some readers who aren’t willing or able to make the investment that some art materials require. I am certainly aware that some products I use and love are expensive (Or as someone once said to me, “Four bucks for one pencil?! You gotta be kidding!”).
I thought more about this issue when I wrote a recent review in which I deliberately used watercolor pencils that had given me problems in the past. In that comparison, I wasn’t thinking primarily of inexpensive products – just ones that I didn’t like for various reasons. That post was mainly to satisfy my own curiosity about whether having more experience with using colored pencils would make a difference (and it did).
In this review, I’m taking the question in a more practical and perhaps more helpful direction: Are any watercolor pencils worth using if they are inexpensive (and therefore probably of lower quality)? If cost (or perhaps commitment level to a medium) is a concern, which would I recommend?
The three pencils that I’m reviewing here are all pencils that I can recommend, though sometimes with caveats. Before I get into reviewing each, I’ll make a few general statements about product quality:
|Although these inexpensive bicolor pencils bear Faber-Castell's name, they|
were made in India, and the quality is not up to F-C's standards.
- In general, if a water-soluble pencil line is made by a major manufacturer known for making high-end art products – Caran d’Ache, Derwent, Faber-Castell and Staedtler all come to mind – then it’s likely that even their low-end products are of reasonably good quality (especially if they are made in the company’s original country; check the fine print on the back of the box). In some cases, even though a maker’s student-grade line is significantly less expensive than its artist-quality line, it may not necessarily be inexpensive compared to lesser-known brands. The products I would stay away from are ones that are made by unknown brands that come in sets of 72 colors for $10 (Amazon offers lots of products in this range).
- One quality you will always sacrifice if you opt for the less-expensive line is lightfastness. As a sketchbook filler and not a gallery exhibitor, I have less concern for archival quality and lightfast pigments than many people do. But it’s something to be aware of if you intend to frame your art and expose it to light or sell work.
- Sometimes a product made by a reputable manufacturer will use a less-expensive wood or make the pencil’s exterior less pretty and finished, but the core may still contain reasonably good pigments. I try not to judge a pencil by its exterior (though it’s difficult, given how easily seduced I am by thick lacquer, a glossy end cap and the scent of incense cedar).
- Not surprisingly, student-grade pencils are not sold open stock. I suppose the theory is that if you’ve used a single color so much that you need to replace it, it’s time to invest in professional quality pencils.
Faber-Castell Goldfaber Aqua
I’m keeping comments here brief because I’ve already written a full review of Goldfaber Aqua, which is Faber-Castell’s student-grade line. Although lightfastness is not rated on the Goldfabers, the pigments appear remarkably similar to the German company’s Albrecht Dürer artist-quality line (which I compare it with in that review; swatch comparisons are also shown). They also activate in a similar way, at least in swatches. In the photo comparing the two points, it’s obvious that a different wood is used in the Goldfaber, and the core is also slightly smaller.
|Left: Goldfaber; right: Albrecht Durer|
Color numbers printed on Goldfaber pencils match Faber-Castell’s other pencil color numbers. This is a nice benefit if you are trying to find similar colors from the artist-grade line. It’s unusual to find student-grade products with color numbers.
|1/8/19 Faber-Castell Goldfaber pencils in S & B Beta sketchbook|
The least-expensive pencil in this review, the Staedtler Triangular Watercolor Pencil was one of the brands I had problems with before I knew what I was doing, but later with experience, I didn’t think it was as bad as before. It’s a very hard pencil, but that quality can be put to good use on details and coarser paper. Based on the price, packaging and barrel shape, this pencil is clearly intended for children.
The caveat with the Triangular is that the cores lack strength and can break easily. Compared to artist-grade Staedtler Karat Aquarell (which is a favorite among harder watercolor pencils), the wood is different. In my swatch tests, the Triangulars dissolve adequately, but with slightly less pigment visible.
Made in Indonesia, this would be a good pencil to try if you really aren’t sure you want to use watercolor pencils. It would give you a quick taste at a very low investment. But if you already know you want to use colored pencils and are looking for an economical option, skip this one.
|Swatches made in S & B Beta sketchbook|
|11/25/18 Staedtler Triangular pencils made in S & B Beta sketchbook|
Caran d’Ache Swisscolor
Caran d’Ache’s product lines continue to perplex me (you can read about the teeth-gnashing I’ve done in my review of the company’s Prismalo). Up until I ran across Swisscolor, I had thought that Fancolor was the Swiss manufacturer’s student-grade watercolor pencil product. Yet based on the (admittedly adorable) cartoons on the back of the Swisscolor’s box and its price range (similar to Fancolor’s), I now believe Swisscolor is Caran d’Ache’s student line. Why make more than one water-soluble colored pencil in the same price range? I don’t get it. (And why do I care? It’s what geeks do.)
|Looks like a student-grade product to me.|
|Left to right: Swisscolor, Supracolor, Museum Aquarelle|
|L to R: Swisscolor, Supracolor, Museum Aquarelle|
When placed next to a Supracolor and a Museum Aquarelle (both Caran d’Ache artist grade pencils), the Swisscolor’s wood looks very similar and is probably the same. All Caran d’Ache’s contemporary colored pencils look to be made of the same wood. However, the Swisscolor has a thinner core, and the opposite end is unfinished. (Although rounded, the Fancolor’s end is uncapped.)
In my comparison of swatches, the Swisscolors dissolve well but show slightly less pigment than Supracolors. The Swisscolors do not have names or numbers printed on the pencils, so it’s more difficult to find hues that match with the artist-grade line.
In my sketch of the avocado (top of page), it took a while to build pigments to strong hues, and I had a bit of difficulty applying successive dry/wet layers (again, these are important factors to consider if you are new to watercolor pencils). They blended reasonably well with some work.
About a third of the price of Supracolor and a fourth of Museum Aquarelle, the Swiss-made Swisscolor is still not what I would call an inexpensive colored pencil, but it is an excellent value.
Of the three pencils evaluated in this review, both the Swisscolor (if you prefer softer pencils) and the Goldfaber (slightly harder) are good starter sets for someone who doesn’t want to make the full commitment of artist-grade watercolor pencils. If further commitment were made later, either set could be upgraded gradually by buying artist-grade pencils individually.
Saturday, January 12, 2019
|1/11/19 Amazon Sphere and Space Needle in South Lake Union|
Café Suisse is a cute venue in the South Lake Union neighborhood. Filled with lots of fun, colorful décor in a Swiss theme, it also offers a wide variety of pastries, including many that are gluten-free. Greg would have loved all the GF goodies, but I was there without him (he didn’t miss out; I got him some muffins to go) to meet Natalie and Kathleen.
|1/11/19 Cafe Suisse|
Right outside the café, I spotted a peek-a-boo view of the Needle near the Amazon Spheres. It was chilly but dry! After being rained in for what seemed a long, long time, it was wonderful to sketch outdoors again.
After that, I needed a warm-up. I dashed into the café, where Kathleen and Natalie were already settled in. I had planned to sketch other patrons, but in the direction I was facing, the chairs remained unoccupied. Although many decorative items filled the space, I simplified the composition significantly to focus on the challenging perspective of the tall chairs. Sketchers often bemoan the perspective difficulties of architecture, but personally, I find interior perspective to be just as difficult.
And speaking of simplification, my minimal kit is working out well so far. The limited palette is forcing me to make choices I otherwise wouldn’t think to make (like the purple and orange Space Needle). It’s hard for me to be imaginative about color otherwise, so this challenge is good for me.
|New group selfie technique!|
Friday, January 11, 2019
|1/7/19 Koh-i-Noor Tri-Tone pencils in Stillman & Birn Alpha sketchbook|
On these wet, dreary January days, the view out the window can be entirely colorless. Sometimes the fastest way to happiness is a rainbow pencil. I’m prepared – I have lots of them. Although all of them make me happy just to scribble with, some are better than others for sketching. These are my favorites:
Many rainbow pencils have cores with multiple colors that are marbled rather than striated. The Koh-i-Noor Tri-Tones are a good example. (I first reviewed them back in 2014.) The marbling can give you an overall multi-colored pencil stroke, but it’s impossible to isolate a single hue. They are excellent, however, if you want to use a range of similar tones in one convenient pencil. In this sketch of a satsuma, tomato and banana, I used one pencil with varying shades of yellow and orange for the satsuma (and a blue range for its shadow). If I were using traditional colored pencils, I would have chosen several pencils to achieve the same blend, but I did it all with one pencil. Similarly, I used one pencil with shades of red and orange for the tomato.
|12/28/18 Marco Tri-Jumbo pencil in S & B Epsilon sketchbook|
|The Marco Tri-Jumbo pencil has striated hues.|
Last week I showed you my sketch of a swan gourd that I made with a Marco Tri-Jumbo rainbow pencil. Its large core and overall hefty girth make it easy to use and hold (for kids as well as myself). An added benefit is that its core is made of the three primaries plus green lying parallel to each other, which makes it easier to isolate hues if you want to. I used the warm red and yellow side of the pencil to bring the swan’s “head” forward, and I used the cool green and blue side to make the “body” recede in shadow behind the head.
|1/9/19 Camel pencil in S & B Alpha sketchbook|
|Camel pencil has 7 hues in rainbow order!|
Wednesday, January 9, 2019
|Successfully sharpened points at last!|
Ever since I started using Caran d’Ache Museum Aquarelles as my daily-carry colored pencils, I have been on the hunt for a portable sharpener that accommodates the Museum’s slightly larger-than-average barrel. At home I can use my trusty electric Bostitch or even a knife, but on the street, my choices are few.
For the past couple of years, I’ve been using a KUM 2-hole that is serviceable, but not ideal: While one of the holes fits, it’s a bit wobbly, so I must be careful or the point will snap. Still frustrated, I put a portable sharpener on my relatively short sketch material wish list a year ago.
A while back I tried writing directly to Caran d’Ache. Reminding the Swiss company that not all users of their products work in studios with access to desktop sharpeners or knives, I asked for a recommendation for a portable sharpener that would accommodate their premium artist-grade pencils with larger barrels, Museum and Luminance. I didn’t receive a response. Undeterred, I tried contacting the company a second time a few weeks ago, and this time I did get a response: I was referred to the Mobius + Ruppert (M+R) line of brass portable sharpeners. Although I have tried many portable sharpeners in my quest, this series had been off my radar because I assumed they were designed for conventional-sized pencils. The German-made sharpener comes in four styles. As a bonus, the blades are replaceable.
|The double-hole round M+R sharpener|
First I tried the double-hole round version, which was a personal favorite of the rep who responded to my inquiry. With expected robust German build quality, the sharpener looks like it could be run over by a tank unharmed.
I have tried so many sharpeners with dashed hopes that I was entirely skeptical when I stuck my first Museum Aquarelle in the recommended smaller hole (the larger is designed for use with charcoal, crayons and other chunky materials). It fit comfortably and securely – no wobble. Could it be . . .?
Yes! The grail I had been searching for! Museum Aquarelle, Luminance, Derwent Drawing Pencil – all pencils with larger-than-standard barrels – all sharpened beautifully! Look at those points (see top of page)! You can imagine what I shouted! Hallelujah?
No – ouch! On the far end of each hole, the blade extends just far enough past the sharpener’s edge that the blade’s corner is exposed – and that corner happens to be exactly where I need to hold the sharpener while sharpening. Since no pencil would reach the opposite end of the blade due to the sharpening cone’s angle, there’s no need for the blade to extend past the sharpener’s edge. After nicking myself twice, I complained to my handy Spouse Guy, who came to my rescue with a Dremel and file.
For an $8 sharpener, you’d expect to be able to use it without injury. I wondered if the design I chose was particularly faulty – the two blades lie perpendicular to each other, so it’s especially awkward to hold without encountering the dangerous points. Since I like to have multiples of anything useful, especially grails (one for my bag, one for my desk, one for the kitchen where I sketch birds at our feeder . . .), I decided to spring for the other three models, too.
Although all three of the other models – the single- and double-hole wedges and single-hole grenade – are easily held without coming in contact with a blade corner, I gingerly felt the edges, and they all have the same design flaw: The blade corners are exposed. Reaching into a bag pocket could still result in a nasty surprise.
Without doubt, the M+R sharpeners are keepers. They are the best portables I’m likely to find for my difficult-to-sharpen Museum Aquarelles, and I’m happy that they are built ruggedly. I’d advise filing the blade corners before using.
Who knew that drinking from the grail cup could cut a lip?
Tuesday, January 8, 2019
|1/5/19 Feast Buffet's chocolate fountain and chocolate shaving station|
Call it sketching serendipity or buffet déjà vu. We were invited to brunch at Feast Buffet on Saturday, and just like the time we went to Bluefin Buffet last November, we were seated with a perfect view of the chocolate fountain (and it almost looks like the same girl using it!). Although it never tastes as good as it looks, the fountain is the most fun to sketch at a buffet. As a bonus, this buffet also has a chocolate shaving station – a pole that looks like the Cat in the Hat’s hat except it’s made of dark and white chocolate. Again, it looks better than it tastes, but it’s fun to sketch.
|My dessert was more fun to sketch than eat, especially after eating several|
plates of other foods!
Technical note: I’m really feeling the challenge of my self-imposed limited palette! In November when I sketched the fountain, I simply grabbed my chocolate brown pencil – easy-peasy. This time I used warm gray, orange and a touch of red to mix that shade of brown.
Monday, January 7, 2019
|Slim, trim and minimized!|
Who made a resolution to lose some weight? I did, but not from my body – just my bag!
About a year ago, I challenged myself to put my sketch kit on an extreme diet for a limited time. I had two goals: Learn what it was like to use minimal materials and also lighten the load on my shoulder. Two months later, I learned a lot from thinking in different ways when I didn’t have every tool or color at my disposal. A few things that came out of my kit for the challenge were never replaced because I realized I could live without them (unfortunately, other things crept in throughout the year since).
I’ve decided to make it an annual winter self-challenge, and this year it began Jan. 2. I’ve committed to sticking with my minimal kit through the end of January (possibly longer, depending on how I’m feeling about it by then).
Shown above is my slimmed-down kit, which contains (from left):
- 4 water-soluble Caran d’Ache Museum Aquarelle and Supracolor colored pencils (secondary triad plus warm gray)
- 1 water-soluble Caran d’Ache blue/red bicolor pencil
- 1 Blackwing graphite pencil
- 1 waterbrush (I swapped a full-length brush for the compact size to fit in the case)
- 1 waterproof Zebra brush pen
- 1 Faber-Castell Pitt Big Brush marker (warm gray IV)
- 1 white colored pencil
- 1 white Gelly Roll gel pen
- Kneadable eraser
- A small Rickshaw pen case to hold all of the above (this prototype design has not been released publicly).
- Not shown: My usual sharpener and a red Field Notes Sweet Tooth notebook, which I’ll still use during the challenge. (It’s become such an essential part of my daily-carry that I forgot that it’s technically part of the sketch kit, too.)
Last year my only color for a while was the blue/red bicolor, and I found that the palette was too limiting, so this year I added a secondary triad: orange, medium green and dark purple. I love using a secondary-triad palette, but I haven’t done much with it since my trip to Italy, so this seemed like a good opportunity.
You’re probably looking at the photo and wondering, What about a sketchbook? That’s a key question because the sketchbook can be the heaviest part of any sketch kit. Last year I used a Stillman & Birn Nova softcover sketchbook, and the beige paper was ideal for a limited-color palette. But it’s also significantly thicker and heavier than my usual handmade signatures of paper, so although my tools and other materials were lighter, the Nova added some weight back in.
|I've stitched thin, lightweight signatures from these papers.|
Giving all of that experience lengthy consideration, this year I decided to continue using my usual super-slim and lightweight handmade signatures (you can see how thin it is in this post), but I’m also giving myself more options. I stitched one using paper from a 9-by-12-inch S&B Nova spiralbound edition. Throughout the month, I can choose among my usual 140-pound Canson XL watercolor paper (for use with water-soluble colored pencils), Strathmore Bristol smooth (with graphite), and Stillman & Birn beige (when I’m in the mood for toned paper). Even carrying two at a time is still lighter than a bound sketchbook, so I expect these signatures to serve me well.
Despite the narrow selection, at least some tools and materials can be used with any paper I choose, so when I leave the house to sketch, I only have to consider the paper – not the rest of the materials. I’ll probably carry the Canson XL watercolor paper as the default and choose the others sporadically.
Initially I had hoped to slim down even more by switching to a smaller bag. Although I made a valiant effort to eliminate some elements from my non-sketch-related everyday-carry items (typical purse stuff), I just couldn’t make it work comfortably. I was able to jam it all in, but then it was so tight that I knew I would struggle each time I reached into it. Still, I’m happy to have reduced the weight of my usual bag by nearly 20 percent:
Bag before diet: 4 lbs.
Bag during minimal challenge: 3 lbs., 4 oz.
Bag during minimal challenge: 3 lbs., 4 oz.
|My everyday-carry Rickshaw bag and the pen case that holds my sketch kit.|
I took my svelte bag out for a first sketch a few days ago to see if I needed to make adjustments. The secondary triad is going to take some getting used to (in the house sketch at top of page, I had to mix orange with warm gray to get the wood tone for the door – a hue I usually carry in one handy pencil), but I thoroughly enjoy the challenge of mixing colors from a limited palette.
Below are all the things I jettisoned from my bag, at least for the duration of the challenge. Like last year, though, I intend to consider each item very carefully before it goes back in!
|Here's all the weight my bag lost!|
|Top view: Slim and trim, even when filled with my usual "purse stuff."|
Sunday, January 6, 2019
|1/4/19 Wedgwood neighborhood|
Driving to the grocery store, I took the off-arterial streets as usual because they often have better sketching opportunities. Something shiny caught my eye, and when I got closer, I saw these festive ornaments and bows in the traffic circle. The bows were getting a bit battered from the strong winds we’ve been having, but the balls seemed to be hanging on tightly.
This reminds me: We need to take down our tree.
Saturday, January 5, 2019
|1/3/19 "Viper," a sculpture by Carol Milne|
The Bellevue Arts Museum curates a major exhibition every two years with a focus on a single craft medium. In the past, we’ve enjoyed remarkable works in metal, fiber, ceramic and wood. This year the BAM Biennial is all about glass. Called BAM! Glasstastic, the exhibition “focuses on the work of established and emerging Northwest artists, craftspeople, and designers, with an emphasis on new work.”
Many works were colorful and dazzling, which is one reason I love glass as an art medium, but one piece was a spectacular standout: Viper, by Carol Milne, who knits glass into sculptural pieces. For the artist, the room-size installation in this show represents the current time’s “polar swings and unscrupulous behavior.” “In literature,” says her artist statement, “the meaning of a snake swings from the negatives of venomous and vengeful, to the positives of fertility, rebirth and healing. Viper is snakelike in appearance but is meant to represent the good side, the aftermath, the snakeskin left behind. . . . Viper is hope for transformation and purification in the year ahead. . . . With hard work and compassion, we can knit ourselves back together.”
Showing through April 14, the biennial is worth the drive across the lake!
Friday, January 4, 2019
|1/2/19 Maple Leaf neighborhood|
Maple Leaf has a few short, oddball streets that stop after a few blocks. If I can get a parking spot at the end of those streets right where the cross-street forms the top of the “T,” I can sketch the front of a house from my mobile studio.
The last time I was able to do this, it was a cold but sunny day. Not so on this day – it was overcast, rain a dark and distinct threat, and though it was only about 2 p.m., the light looked like it was near nightfall. But as I always say, a sketch on a crummy day is better than none.
Thursday, January 3, 2019
|12/31/18 Bryant neighborhood|
After several days of the usual winter nastiness in the form of high winds, relentless rain and low light that always feels like it’s 4 p.m., the last day of 2018 dawned with fog that finally burned off around noon. Although the temperature was still only in the mid-30s by then, I took a drive around the neighborhoods just to remind myself what sunshine looks like. I didn’t have it in me to get out of the car, but I’m always happy to sketch from my mobile studio, especially when the sky is blue.
Speaking of blue, look at the length of those shadows at around 1 p.m.! It might as well be dusk.
Wednesday, January 2, 2019
|12/28/18 swan gourd|
Remember this swan gourd I sketched for InkTober? Last week I noticed she was getting a little moldy, so I decided to sketch her for the last time before chucking her into the yard waste bin. I’m going to miss her; I have thoroughly enjoyed trying to capture her complex form.
This time I used a rainbow pencil, which made it extra fun. Last winter when I was on my minimalism challenge, I used a rainbow pencil for occasional touches of color, but it doesn’t really work for me as a substitute for a range of colored pencils. I find myself trying too hard to control which color I’m getting, and then it becomes frustrating. I’ve had the most fun using this pencil when I forget about managing it and just allow the colors to change as my hand moves naturally. I did, however, use the cooler hues on the darkest areas and warmer ones in the foreground without much effort.
Tuesday, January 1, 2019
|12/27/18 Wedgwood neighborhood|
A couple of days after Christmas, I went to the Wedgwood post office to do an errand that I had been putting off until after the holiday rush was over. I was the only one at the counter. The streets were so quiet, it looked like the ‘80s again. Even Costco seemed relatively empty that day. As much as I enjoy Christmas, I love even more the quiet that comes during the few days following it when everyone seems to be hunkering down before the New Year hubbub begins.
Here’s a sketch from that morning – a quiet street in Wedgwood (at least for the moment – the imminent trash pickup would liven things up).