Mr. Stripey

 

9/1/26 Neocolor II on UglyPads paper

Once again, my friend Alice generously shared her garden’s bounty. I think she picks out the prettiest produce just for me because she knows I will want to sketch it! Last week she gave me Mr. Stripey (the actual name of the variety), a humongous tomato that was so sweet, he almost tasted like he was sugared. I guess I’m going to have to stop eating tomatoes until next summer because anything I eat after that one would be a letdown.

Before Mr. Stripey became salad and caprese, however, he had to sit for me. It was an opportunity to try an idea I had been thinking about: using Caran d’Ache Neocolor II crayons on UglyPads colored paper. I had hoped that the Neo IIs would be opaque enough to cover the paper, and the bright teal blue would sparkle through as an “underpainting.” I had to work harder and longer than I expected to get the coverage I wanted, but the result is exactly what I had hoped for with an oil pastel-like effect. After applying many layers of Neocolor II, I used a dry-ish waterbrush to very sparingly activate some areas. I avoided activating too much because I didn’t want to obscure the underpainting. (I also know UglyPads paper can’t take too much water.)

Once to sketch and once to eat: Thank you, Alice, for the double gift!

I've long suspected that my scanner is no longer picking up some colors accurately. This image from my phone's camera captures the teal blue much better (though not exactly) than the scan at top of page. Hmm... maybe it's time to get a new scanner.

Two Piers

 

8/29/26 Green Lake

Several piers allow access to the water at Green Lake. Other than occasional fishermen, the piers aren’t used much. I’ve sketched several times from the end of a long pier that offers a view of the curve in the lakeshore (above). As I sketched, a young woman silently meditated nearby.

The sketch below, made a few days later, was from a short pier on the opposite side of the lake. Mostly hidden by trees, the pier hardly ever seems used. As many, many times as I have sketched at Green Lake, this was my first sketch ever of Duck Island! Since it’s visible from many places other than this pier, I don’t know why I’d neglected it so long. It’s just a tiny chunk of tree-filled land that birds probably love because humans aren’t constantly walking by. As I sketched, I heard both a belted kingfisher and an osprey (ID’d by the Merlin app) and eventually did see the kingfisher fly over. Although I couldn’t see its details at all, the large bird perched on Duck Island may have been the osprey.

8/31/26 Duck Island at Green Lake

And So it Begins

 

8/31/26 Green Lake sweet gums

Well, folks, there’s no denying it anymore: Fall is just around the corner. The Green Lake sweet gums say so.

These trees, by the way, are the ones I sketch most regularly in fall, sometimes more than once per season (this post from a few years ago includes a retrospective of many of them). In my early sketching years, I always stood right next to them, where I struggled to fit them in. (Back then, I was still calling them “maples”; I didn’t learn that they were sweet gums until quite a bit later.) More recently, I’ve been sketching them from across the lake, where their colors are a brilliant blur.

This week I stood where I could focus on the sweet gum at the head of the line, which consistently begins turning long before her sisters. The others are still mostly green.

“Summer Thunder” at Kubota Garden

 

8/30/26 Taiko drumming event at Kubota Garden

Since notice was very short, I wasn’t sure how many sketchers would join me at Kubota Garden for “Summer Thunder,” a taiko drumming event that also featured dancing and storytelling. I was happy to find at least a few folks there!

As soon as I arrived, I realized I hadn’t been to the garden in quite a while; I think the last time was in 2022. It’s lovely year-round, but late summer is probably one of the best times to be at Kubota. Some Japanese maples were just beginning to hint at turning; in a couple of months, they’ll be gorgeous. I could have spent a long time trying to capture layers of foliage, but on this sunny afternoon I was more in the mood for the festive taiko event (top of post).

Eventually I took a walk through the maze of the garden. No matter how many times I’ve been there, I always get lost on its meandering paths. I don’t know where I was when I found a pine tree that was asking to be sketched (a good eavesdropping spot, too).

Lunar Eclipse

 

8/27/26 partial lunar eclipse

Not paying attention to the time, I nearly missed last Thursday’s partial lunar eclipse when a text from a friend reminded me to look out the window. Luckily, the sky was clear at exactly 9:12 p.m. PT, when 96.2 percent of the moon was obscured – the peak of the near-total eclipse. I knew I would be asleep by the time it looked interesting again, so I was happy to catch this much.

Back in January 2019, I made a series of sketches of a total lunar eclipse that had begun earlier in the evening.

Phinney Station from the Other Side

 

8/25/26 Phinney Station, Phinney Ridge neighborhood

After our zoo visit and lunch nearby, Roy, Mary Jean and I walked a half-mile up the street to Bluebird Ice Cream for dessert. The tiny shop’s outdoor seating gave us an ideal view of Phinney Station directly across the street. That’s the venue where USk Seattle had a drink & draw a few weeks ago. I always find it fun to sketch a venue from the outside after having sketched it from the inside – especially when it has lots of umbrellas.

Paper notes: Since I knew I wanted to use Derwent Drawing pencils to draw zoo animals that day, I had brought along my Stillman & Birn Zeta sketchbook – my favorite paper for use with those soft pencils. Although they’re ideal for fuzzy animals, soft colored pencils weren’t right for Phinney Station’s hard edges. For that, I preferred using a brush pen on Zeta’s smooth surface, which imparts a crisp line to all inks.

How I love Hahnemuhle paper with water-soluble materials!

But what to do about all that background foliage? I knew better, but I went ahead and used water-soluble colored pencils (Caran d’Ache Museum Aquarelle and Derwent Inktense) and water-soluble Caran d’Ache Neocolor II crayons anyway. I activated the color, waited for the water to dry, then went back over it lightly with more dry color, trying to put back the texture I had lost. It’s not the same, though, as my all-time favorite 100 percent cotton Hahnemühle with water-soluble materials (as I used in the sketch at right, shown for comparison). Both the texture and especially the sizing of Zeta paper just don’t take wet media as well.

The Zoo is Full of Surprises

 

8/25/26 Silverback gorilla, Woodland Park Zoo

Visiting the zoo is always a crapshoot. Some days the animals are awake and active; others they are sleeping or just hiding from visitors. Woodland Park Zoo opens at 9 a.m. each day because the animals are supposedly more active in the morning, but I’ve had both good and bad luck at all times of day. You never know what you’ll get.

When Mary Jean, Roy and I visited last week, our sketchbooks were ready for whatever the animals gave us. I’ve been visiting the zoo for all the years I’ve been sketching, and on this day, the gorillas were the most visible and sketchable than any time I can remember! The silverback gave us the best show, loping around, leisurely chewing on twigs he was foraging and finally chillin’ with his snack very close to the viewing area. Several other adults and a few adolescent gorillas were also actively hanging out. They were all fascinating to watch and draw.

The Humboldt penguins are usually easy to see and sketch wherever they are in their large, open exhibit, but on this day several were within the viewing area that puts them closest to visitors. Molting and apparently uncomfortable, the birds vigorously scratched and preened their scrappy-looking feathers. After taking a dip, they would shake their tiny wings and rear ends, then dive in again. So much fun!

Humboldt penguins

A few weeks ago when I visited, Carson, the red panda, had been easily visible. This time, I could barely see him in the distance, so all I sketched in the Forest Trailhead exhibit was a tree kangaroo (probably the same one who was sitting on the same perch as last time).

Tree kangaroo and Humboldt penguins

Like all urban sketching, much of the fun and challenge is not knowing what you’ll get but enjoying whatever it is.

(See this Instagram post for a couple of videos I took of the silverback and a penguin.)