Party for the Dayton Cedars

4/26/26 Greenwood neighborhood

 Back in October, I reported on the four “Dayton cedars,” as they are called by locals, that were slated for destruction by a developer. After more than 250 concerned and outraged citizens wrote to the developer, the plans were changed to save two of the four centenarian trees.

Last Sunday I attended a gathering around the western red cedars and the corner house behind them (which will be torn down for the multi-unit development). Although bubbly beverages and refreshments made the gathering feel like a celebration, participants were well aware of the irony: It was also a farewell to the two trees that will be cut down. Still, they conceded, losing half the trees was better than all four. Strands of tiny origami cranes decorated the two doomed trees.

Chris Collins has lived next door to the corner house for decades. At the event, he talked about how that house’s late owners, the Dyment family, had transplanted the trees from Snoqualmie Pass more than a century ago. Chris had been a major activist in trying to save the trees. He expressed appreciation to Tree Action Seattle and all the neighbors and other concerned citizens who had written to the developer. Given how ineffectual Seattle city laws are in protecting old growth trees, it’s up to citizens putting pressure on developers to save them.

The two trees on the left will be taken out along with the small house on the corner. Note all the shade that will be lost, as well as all the other natural benefits mature trees provide.

Origami Workshop

 

4/25/26 Fresh Mochi Gallery

Fresh Mochi Gallery on Beacon Hill looks unassuming. Located on a quiet, residential street, it would be easy to miss. Inside, however, a remarkable project is taking place.

Last Saturday I joined several other women in a free workshop to learn how to fold an origami vulva (yes, you read that right). Our contributions from the workshop will eventually become part of a head-exploding installation by artist Hanako O’Leary.

In a variety of media, primarily ceramics, O’Leary’s latest body of work focuses on the image of the vulva. (Some pieces are currently on exhibit at Fresh Mochi.) The origami is part of “Kamon,” which is about women’s freedom, mythology, “the strength to live in one’s own body,” and much more. This part of “Kamon” requires thousands and thousands of origami pieces that are being stitched together into a delicate, suspended, quilt-like installation. Three more segments are still in the design and conceptualization stage. 

During the two-hour workshop, I completed only two vulvas! It’s a complex structure that was more intense to learn than I anticipated. Although O’Leary has a small team helping her to make and assemble the installation, she holds regular workshops to involve the community. I am honored and humbled to participate in her work, even in this tiny way.

This was my practice piece made of commercial origami paper. O'Leary placed
 a small patch of gold leaf in the center when it was completed.
 She let contributors keep the practice pieces.

The final piece that will be included in the installation is made of a fabric-like paper hand-dyed by the artist. She placed gold leaf in the center after I took this photo. O'Leary asked each participant to write the birth name and place of their mothers on the back, honoring the heritage of our birth mothers.

The Last Kwanzan

 

On my walk to Green Lake, I saw the pavement covered with pink snowfall wherever I had enjoyed blossoms in the previous weeks. Wistfully, I looked for one last Kwanzan cherry to sketch at the park. Although this one had started to shed petals, it still had a full crown of pink. The temperature was only in the high 50s by late morning, so it wasn’t exactly warm. Avoiding the shade, a young woman sat in full sun, sewing (repairing?) a jacket – a refreshing change from the usual phone-gazers.

What a terrific season of pink we’ve had! And as the last of the Kwanzans leave the party, just arriving are the dogwoods and redbuds.

Dogwood

Redbud

Dogwood

Nothing Better

 

4/24/26 Project 9 Brewing Co.

On a lovely late afternoon, USk Seattle met at Project 9 Brewing for the first unsheltered drink & draw of the year. We had a great turnout, including Lisbon artist Mario Linhares, who was in town to give a presentation and workshop through the University of Washington’s Landscape Architecture Department.

Other sketchers who had never come to a USk outing before and long-timers who hadn’t come in a while all joined us on Project 9’s sunny deck. And why wouldn’t they? A warm (but not hot) Friday afternoon, sketching with good friends while sipping cold beverages – does it get any better? We all agreed that it doesn’t.

Bunny Sighting

 

4/23/26 Maple Leaf neighborhood

I don’t usually sketch during my short golden-hour walks; I enjoy having no sketching objective, destination or fitness goal. Still, it’s hard to resist a bunny quietly chewing grass. Getting out a colored pencil and my Field Notes made the least noise and movement.

Nordic Interior Redux

 

4/22/26 National Nordic Museum's interior

The National Nordic Museum’s current exhibition is an enchanting collection of reproductions from Finnish artist Tove Jansson’s “Moomin” children’s book illustrations. The exhibit also includes large photographs showing the artist’s fascinating, secluded life in a tiny house built on the rocky shore of a tiny island.

Sculptural bird suspended from the ceiling. 

After enjoying the exhibit, Roy, Mary Jean and I wandered around in the permanent collections to sketch. Whenever I visit the Nordic Museum, I’m just as intrigued by the building’s unusual architecture as by the exhibits. As I’ve done in the past, I stood on one of several “bridges” between the two sides of the museum and sketched across the length of the building from floor to ceiling (top of post). That’s MJ on the far “bridge” sketching a similar view from the opposite side.

At left is a closeup of one of several bird sculptures suspended from the ceiling.

Roy and I were passing back and forth a small concertina booklet to give to MJ for her birthday. For the booklet, I made the sketch below of MJ sketching a traditional Swedish carved Dala horse. Very untraditionally, it was whimsically painted with symbols of Seattle like the Space Needle. (I don’t have a scan of the sketch because we presented the filled booklet to MJ that day.)

Material notes: Restricted to pencil inside the museum, I happily pulled out my current pairing of warm/cool Derwent Drawing pencils, Brown Ochre and Grape. I love using Grape, which is almost a cool gray, but Brown Ochre seems a little too pale to show variations of values. I’m keeping the Grape for a while longer but swapping out Brown Ochre for something a bit darker.

One of many delightful reproductions of Tove Jansson's "Moomin" illustrations

Green Lake Kwanzans

 

4/21/26 Green Lake

Petal-peeping season isn’t over yet, and I don’t even have to go far to peep. The Kwanzan cherries at Green Lake seem to have exploded into pink pompoms overnight. Growing sporadically around the park rather than in large clusters, they pop brilliantly against the otherwise mostly dark foliage. Ironically, I didn’t even have to walk to the lake for these: I found them in a parking lot.

I must say that the second sketch might be one of my favorite tree sketches. It started raining shortly after I began, so I worked much more quickly than I usually would with water-soluble materials. Under-thinking instead of over-thinking!

I also may have exaggerated the vibrancy of the hues a bit -- so shoot me!

In the same parking lot, I found a few thirsty geese.