Phinney Station from the Other Side

 

8/25/26 Phinney Station, Phinney Ridge neighborhood

After our zoo visit and lunch nearby, Roy, Mary Jean and I walked a half-mile up the street to Bluebird Ice Cream for dessert. The tiny shop’s outdoor seating gave us an ideal view of Phinney Station directly across the street. That’s the venue where USk Seattle had a drink & draw a few weeks ago. I always find it fun to sketch a venue from the outside after having sketched it from the inside – especially when it has lots of umbrellas.

Paper notes: Since I knew I wanted to use Derwent Drawing pencils to draw zoo animals that day, I had brought along my Stillman & Birn Zeta sketchbook – my favorite paper for use with those soft pencils. Although they’re ideal for fuzzy animals, soft colored pencils weren’t right for Phinney Station’s hard edges. For that, I preferred using a brush pen on Zeta’s smooth surface, which imparts a crisp line to all inks.

How I love Hahnemuhle paper with water-soluble materials!

But what to do about all that background foliage? I knew better, but I went ahead and used water-soluble colored pencils (Caran d’Ache Museum Aquarelle and Derwent Inktense) and water-soluble Caran d’Ache Neocolor II crayons anyway. I activated the color, waited for the water to dry, then went back over it lightly with more dry color, trying to put back the texture I had lost. It’s not the same, though, as my all-time favorite 100 percent cotton Hahnemühle with water-soluble materials (as I used in the sketch at right, shown for comparison). Both the texture and especially the sizing of Zeta paper just don’t take wet media as well.

The Zoo is Full of Surprises

 

8/25/26 Silverback gorilla, Woodland Park Zoo

Visiting the zoo is always a crapshoot. Some days the animals are awake and active; others they are sleeping or just hiding from visitors. Woodland Park Zoo opens at 9 a.m. each day because the animals are supposedly more active in the morning, but I’ve had both good and bad luck at all times of day. You never know what you’ll get.

When Mary Jean, Roy and I visited last week, our sketchbooks were ready for whatever the animals gave us. I’ve been visiting the zoo for all the years I’ve been sketching, and on this day, the gorillas were the most visible and sketchable than any time I can remember! The silverback gave us the best show, loping around, leisurely chewing on twigs he was foraging and finally chillin’ with his snack very close to the viewing area. Several other adults and a few adolescent gorillas were also actively hanging out. They were all fascinating to watch and draw.

The Humboldt penguins are usually easy to see and sketch wherever they are in their large, open exhibit, but on this day several were within the viewing area that puts them closest to visitors. Molting and apparently uncomfortable, the birds vigorously scratched and preened their scrappy-looking feathers. After taking a dip, they would shake their tiny wings and rear ends, then dive in again. So much fun!

Humboldt penguins

A few weeks ago when I visited, Carson, the red panda, had been easily visible. This time, I could barely see him in the distance, so all I sketched in the Forest Trailhead exhibit was a tree kangaroo (probably the same one who was sitting on the same perch as last time).

Tree kangaroo and Humboldt penguins

Like all urban sketching, much of the fun and challenge is not knowing what you’ll get but enjoying whatever it is.

(See this Instagram post for a couple of videos I took of the silverback and a penguin.)

Wallingford Dick’s Drive-in

 

8/24/26 Dick's Drive-in, Wallingford neighborhood

“Serving Seattle’s favorite burgers, hand-cut fries, and real ice cream shakes since 1954,” Dick’s Drive-in in Wallingford still has the classic drive-in shape. I haven’t eaten a burger anywhere in four decades, and I haven’t even eaten fries at Dick’s for years (though I know they are good), but I appreciate any venue widely regarded as an institution. Although I’ve sketched both the Queen Anne Dick’s and the one on Capitol Hill, this was my first time sketching the Wallingford branch of this local chain.

I looked for a composition that would include both the restaurant and the iconic, original sign, but there was too much empty space between them to fit right. Instead, I sketched the sign as an inset (which is a favored layout technique of Mike Daikubara). I don’t always take the time to color in all the details of signs, but who could resist those candy corn colors?

Seward Park Trees

 

8/26/26 Seward Park

Although I visited Seward Park fairly often as a teen, after I moved further north as an adult, I rarely went there. I wish it were closer: It has a lovely 2.4-mile walking loop with Lake Washington on one side and a dense, old growth forest on the other. It’s one of Seattle’s more serene parks; even on weekends, it never seems crowded (unlike Green Lake, my own neighborhood park, which can look like Malibu beach on sunny weekends).

USk Seattle met at Seward on Wednesday when it was cool and overcast. Since the temperature was ideal for fitness walking, I began the outing with a loop around the park. Although the dense growth of trees is serene, it’s formidable to sketch; I was looking for an individual tree I could isolate easily in a composition. About three-fourths of the way around, I came upon an old snag with an interesting shape (at right).

When I completed the loop, I looked around for another sketch and found myself at a familiar spot just as the sky was clearing. I think the first time I sketched this stand of shoreline poplars (top of post) was with graphite in Kathleen Moore’s nature drawing course years ago. Another time I made a quick stop when I happened to be in the neighborhood. Anytime in the afternoon, the slender trees cast lovely shadows that I find irresistible.

Here and Now

 

8/18/26 Maple Leaf neighborhood

A friend, also newly widowed, gave me this book: Grief One Day at a Time: 365 Meditations to Help You Heal After Loss (Alan Wolfelt). I read each dated page in the morning before breakfast (an idea I got from her). A recent page resonated with the way sketching has long been my primary form of meditation:

Being present in the moment is a difficult way of being to master, but it’s worth working on. When you need a break from your grief and mourning, try to focus on the here and now. Pay attention to your breathing…. Notice the people, objects, colors and textures around you. Attend to the sounds you hear. Smell the aromas in the air…. While we will always miss the person who died, focusing on the present moment can provide breathing space.

8/8/26 Maple Leaf neighborhood

8/16/26 Green Lake neighborhood

Sometimes I’m unexpectedly and suddenly flooded with grief. It pulls me inward, where my entire past with Greg and my entire future without him exist. After the flood recedes, I take a walk, which puts me back out into the world where only the present exists. Attending to sensory observations is essential for meditation, and sketching documents that attention: I observe this, I draw this, here and now.

8/19/26 Maple Leaf neighborhood

8/16/26 Green Lake neighborhood

Majestic Bay Theatres

 

8/21/26 Majestic Bay Theatres, Ballard

Opened in 1914, the Majestic (and later Bay) Theatre used to be a single-screen neighborhood theater in Ballard for decades. Although I don’t recall seeing any movies there, I remember it as the Bay, probably in the ‘70s and ‘80s. Renamed the Majestic Bay, it was rebuilt as a modern multi-plex in 1998, where it continues to screen first-run and older movies.

When I sketched it last week, the Majestic Bay was showing “The Odyssey,” “Spider-Man” and other first-runs. One marquee promoted “Retro Night,” which was featuring “Snakes on a Plane.”

Although the blue lighted sign is probably original, the rest of the building has a contemporary look. It was difficult to find a good composition that was unobstructed, but since I’m not too fond of the building anyway (other than the sign), I went across the street to sketch it behind a tree. (Trees make such great compositional obstructions when I’m not interested in sketching a building, which is almost always. Now you know my secret: When I don’t want to sketch something, I just look for a tree to block it.)

Goin’ to the Dogs – from Life!

 

Barnaby Sherlock patiently sits for me as I help raise funds for PAWS. (photo courtesy of ArtSpot)

When I look back on the 15 years that I’ve been drawing, a few experiences come to mind as the most intense. Being a correspondent at the Manchester Urban Sketchers Symposium would be near the top of the list. My early days of one-minute life drawing poses used to leave me breathless (both exhilarated and exhausted). But I’d have to say that last week’s benefit for PAWS beat both of those as the single-most intense drawing experience of my life!

What made it so intense? Beginning at ArtSpot, people and their dogs were lined up halfway down the block all evening, waiting for a portrait! When I participated in the same fundraiser last year, the time pressure was the same, but the work was divided among four artists. This year, one had to cancel at the last minute, so three of us carried the load for the full three hours.

8/20/26 Bob

Nessie had the most amazing eyelashes!

The other big difference for me was that of the 20 portraits I made, only three were from photos – all the rest were from sniffing, squirming life! Last year, it was the other way around: I started out doing a couple from life, but I soon realized it was impractical, given the time constraint. For the rest of that evening, I used photo references provided by the clients or that I had snapped myself. Using photos, though, can also be challenging (as I’ve learned from the many commissioned pet portraits I’ve made) when they are poorly lighted or blurry. Taking good photos of excited, distracted dogs in fading light isn’t easy, either.

Barnaby Sherlock

Phoebe Anne

When the first couple of clients said they wanted portraits from life, I was delighted – drawing from life instead of from photos is certainly my preference anytime. Up for the challenge, I decided I would continue drawing all of them from life unless a client showed up with a photo instead of a dog. At any time, I could have taken my own photos, but once I got started, I just kept going.

Lilo

Phe Phe (pronounced like Fifi). Chatting with Phe Phe's mom and another customer who had a part Chihuahua, I learned that a disproportionate number of mixed-breed dogs show Chihuahua lineage when they get their genes tested. Those little dogs get around!

Exhausted by the end, I still had a blast at this unique opportunity. It gave my confidence a big boost that I can sketch any dog’s portrait in less than nine minutes – from life!

Bee Paper mixed-media sketchbook

Material notes: Like last year, I kept materials simple, bringing only my current favorite Pentel Sign Brush Pen, a broader Kuretake Brush Writer and a gray Faber-Castell Pitt Artist Soft Brush Pen for shading. Once I got going, though, I mostly used only the Pentel with occasional help from the Kuretake.

For paper, ArtSpot offered each artist their choice of sketchbook to use for the benefit. I chose the same book I used last year: a 6-by-6-inch Bee Paper Co. Super Deluxe Mixed Media spiralbound sketchbook (the spiral binding was most practical for ripping out pages to give to clients). Although I would never choose a spiralbound book for urban sketching, I have grown fond of this Bee paper after using up the remains of last year’s book on Pencilvember and other animal portraits. It takes everything I’ve used on it beautifully – colored pencil and crayon, both wet and dry, various juicy brush pens and markers. If it weren’t for the darn wire binding, I would happily use Bee books for general urban sketching.