Happy 50th Birthday, Freeway Park!

 

8/22/26 Freeway Park

USk Seattle was invited to a very special birthday party: Freeway Park’s 50th! Initiated by civic leader Jim Ellis, the five-acre park became the first in the world to be built over a freeway. The Freeway Park Association put on a fun event last Saturday to celebrate with live music, art activities, free tamales and popsicles, photo opportunities and other ways to enjoy the unique space that the park offers.

Gabi Campanario and Sketcher Press shared a canopy with USk Seattle to introduce park visitors to Urban Sketchers. Quite a few new members joined us, and I expect a few more will join the Facebook group and our mailing list later. And what a massive turnout: I counted nearly 40 in our throwdown group photo!

Since I hadn’t sketched at Freeway Park since before the pandemic (which was the last time USk had an outing there), the event was a good reintroduction for me, too. I warmed up with a few gestures of buskers and visitors playing ladder toss on the lawn (below). I was amused that the electric violinist and the Chihuahua both wore red shoes!

Although I’m not a fan of Brutalist architecture, that’s what the park is all about, so I found a spot to capture some of it (top of post). What I do appreciate about Freeway Park is the beautiful integration of all those hard, brutal, geometric lines with the organic softness of so many trees and other plants. It’s a unique urban space unlike any other in Seattle (or anywhere in the world, for that matter).

Now that Freeway Park is back on our radar, we’ll be sure to plan more USk outings there again.

What a turnout!

Sketcher Press and USk Seattle's canopy

Black-Eyed Susans

 

8/20/26 Black-Eyed Susans, Maple Leaf neighborhood

Although my walk was getting hotter than I like, I couldn’t resist making a quick stop to catch these Black-Eyed Susans near the sidewalk. After sketching them hastily with a brush pen and coloring the petals with a yellow Museum Aquarelle pencil, I was disappointed that they didn’t pop as I wanted them to. Usually adding a dark background does the trick, so I used a dark blue-violet Neocolor II crayon. I snapped a photo (below), thinking I was done.

About to close the sketchbook, I looked again and thought the flowers still lacked pop. Although I don’t usually use water in Uglybooks, and I like the raw, rustic look that dry crayons impart on colored paper, I thought I’d try applying water to the Neo II to see the result (at left). I avoided fully activating the color to retain some of the dry look. I like it.

By the way, do you know the difference between Black-Eyed Susan and Brown-Eyed Susan? I wasn’t sure which these were, or even if those were just two colloquial names for the same flower. They are, however, different: Brown-Eyed Susans have rounder, shorter petals, while Black-Eyes have slender, tapered petals.

What did we ever do before the Internet?

Neocolor II background before activation

Prepping for a Dry Fall

 

Anticipating a dry fall!

The summer of ’26 has been one of ambivalence. On the one hand, the weather has been mostly beautiful: only a few days of extreme heat, and only a few of smoke (so far). I’ve been sketching outdoors to my heart’s content.

On the other hand, it’s been the hardest summer of my life.

Our foggy mornings lately and the blushes of color I’m seeing in some trees are hinting that fall isn’t far off. Although I have no regrets about summer ending, I still feel a bit wistful.

To waylay a post-summer slump, I decided I needed a fresh sketching approach for autumn. Not just a refreshed palette but a medium I haven’t focused on for urban sketching in a long time: Non-soluble colored pencils! Seems like every couple of years or so, I pull out a selection of dry colored pencils (often a secondary triad, which I especially like in the fall) and tell myself I’m going to use them without the help of water-soluble materials. Although I enjoy it for a short time, I eventually go back to the speed and convenience of water-soluble pencils and crayons.

One mistake I’ve made in the past is to continue using an A5-size sketchbook as I usually do with water-soluble materials. Filling an A5 page takes significantly longer without the efficiency of water to spread color. This time, I’ll probably still carry an A5-size book (likely a Stillman & Birn Zeta) for versatility, but my plan is to work on a half-page at a time (a size I’m accustomed to from using A6-ish Uglybooks). We’ll see if that keeps me going longer.

I pulled out my color journal recently to trial a color palette (below). Recalling all the joy I had last winter working from photos with Derwent Drawing pencils, those pencils will form the bulk of my palette. Even the largest set, though, is severely lacking certain hues; specifically, bright reds, magenta and dark greens. I pulled in Prismacolors to fill those holes. Knowing me, I’ll probably change up the palette before I even start using it, but I’m showing what I have so far just because I’m excited about it.

I'll probably further refine the palette, but here are the finalists in Derwent Drawing and Prismacolor non-soluble pencils.

Now when the trees start turning in earnest, I’ll welcome it with something fun and potentially illuminating.

Selfie as Dog

 

8/16/26 Self-portrait from mirror

Roy texted us a self-portrait he had made that morning. He challenged Mary Jean and me to make self-portraits by the end of the day for Selfie Sunday (which I guess is a thing, as I’ve long seen the hashtag, but I’ve never participated).

The last time I made a self-portrait, I had treated myself like a dog. I decided to do the same again, but this time I used a brush pen. Unusual for a self-portrait, I like this one, even with the severe selfie scowl.

Deep Fog in August

 

8/14/26 8:15 a.m., Maple Leaf neighborhood

The day dawned to a deep fog of the type we usually don’t see until autumn. Say it ain’t so!

Material and process notes: When drawing fog, I tend to use graphite, but on a whim I tried a Derwent Drawing pencil (Midnight 6710). Soft, creamy pencils like this make me want to bear down and use them like crayons, so it took some self-control to use as little pressure as possible.

Working on this sketch, I thought of all the exercises I’ve done from instruction books and in classes to make a gradient of values using one pencil, beginning from the lightest value and working darker. Drawing fog is the on-location version of that exercise: I must begin with the lightest value (the distant fir) so that I’ll know how much darker to make the other values.

Two Moments at Green Lake

 

8/13/26 Green Lake

I can’t count the many times I’ve sketched at Green Lake by now, yet I never tire of the (mostly) same subjects and similar compositions: trees, water, the opposite shoreline, ground shadows. Each is a new challenge cushioned by the familiar.

While the resident geese, too, have been sketched many times, I thought I found a fresh composition. A (human) couple were sitting on the bench when I began, but I went against my own urban sketching policy and didn’t sketch them first. Sure enough, they got up and left by the time I’d sketched the geese. Again, a challenge cushioned by the familiar.

Rear Views of the Center of the Universe

 

8/15/26 Lake Washington Ship Canal path, Fremont neighborhood

Lenin from the rear

Fremont, AKA the Center of the Universe, is one of my favorite sketching neighborhoods, and I was happy to be back there with USk Seattle. Although I’ve sketched the (in)famous statue of Lenin many times (and I’m sure other long-time sketchers have, too), I never seem to tire of his strong angles and challenging lighting from all the trees around him. This time I tried a fresh perspective – from the rear (at right).

After that, I took a long walk around Fremont to look for my next sketch and to soak in the happy Saturday-afternoon summer vibe. I found myself on the Lake Washington Ship Canal walking/biking path, where I stopped to see how the topiary dinosaurs (which I’ve sketched several times) were doing. Some years, they have looked shaggy or somewhat bald, but they were looking good last weekend. With temps in the mid-70s by then, I walked all around them to find a view that I could sketch in shade (top of post). Coincidentally, the only shady view was again from the rear. Unrecognizable in my sketch, the mama dinosaur’s rear end is on the far left.

Thumbnail to try out the square composition

The more inviting view was of the shadow pattern crossing the Ship Canal path, a power tower and the Aurora Bridge in the distance.

Material note: Lacking a fine-tip marker, I used a Pentel Sign brush pen to draw the relatively fine lines of the power tower in the color sketch – as well as the people, the dry-brushed border and to write the caption. The more I use it, the more I love this brush pen’s wide tip range and versatility (though I do curse its nonrefillable, disposable form factor).