Just Like That at Green Lake

 

5/24/26 Green Lake

After walking around Green Lake with a couple of friends, I stayed behind after we parted to make a sketch. Standing just off the path near the water, my presence prompted two conversations. One was with a woman, a watercolor painter herself, who saw from a distance that I seemed to be using a brush, she said, yet she stopped for a closer look because she couldn’t believe I’d be painting standing up! I showed her that I was using water-soluble pencils and crayons, and she thanked me for inspiring her. She seemed eager to get her paints out.

The second conversation was with a couple who seemed astounded. “You just did that standing here? Just like that?” That question again.

I’m always amused. Yes, just like that.

Bob Blast’s Painterly Tips

 

5/21/26 photo reference

Bob Blast’s YouTube channel recently came to my attention. Scanning through his titles, I can see that he is a painter, not a sketcher, but as I always do with painting instruction videos, I try to apply his approach to any medium I might use. That’s how I use oil painter Ian Roberts’ extremely informative videos about composition. It’s usually a little more difficult to use pencils, crayons or markers in place of paint, but I enjoy the challenge of attempting it anyway. And almost always, the exercise reconfirms that basic art and design principles apply to any medium.

In the video I viewed recently, Blast (Bob’s real last name is Burridge, but I like that he uses “Blast”) shows how he designs paintings around figures by putting the highest contrast around the area of the focal point. He also uses negative space to clarify and design shapes. Finally, he stresses the importance of showing the direction of light. His style is more abstract than I would typically use for urban sketching, but its visual appeal made me want to try it.

Using a reference photo I had snapped on a walk, I picked out some primary colors in water-soluble markers and crayons. My color choices were based on values, not the photo, and I grabbed basic hues so that I wouldn’t get distracted by trying to “match” what I saw.

Although this approach is very different from the way I usually think, I like the result. I’m especially pleased with how the dark negative space defines the left figure’s lighted side. (I would have liked the way the high-contrast negative space defines the dog’s lighted side if I hadn’t inadvertently drawn the ground shadows through its body!)

5/23/26 Statue of Lenin, Fremont

Anyway, this exercise was a lot of challenging fun. It motivates me to take more high-contrast reference photos so that I can practice this exercise again. 

Could I ever do it on location? It’s often difficult to find a high-contrast scene with ideal lighting that would make this exercise easier, but now that I’m aware of what to look for, I see more potential. Last week in Fremont, I was thinking about Blast’s tips as I sketched the statue of Lenin. Several dense trees are behind Lenin’s head. I made the tree on the left (the lit side of the statue) darker to have higher contrast against the focal point. On that overcast afternoon, I also exaggerated the contrast between light and shadow on the whole statue and made the direction of light more obvious -- something I became more aware of because of Blast’s videos. 

Neppy

 

5/22/26 Neptune (reference photo by Linda Lee)

From the many stories I’ve been told about the pets I’ve drawn, I gather that rescue pups are a hardy lot. They’ve already survived untold hardships before finding their forever homes. Once they know they are safe and loved, they have reason to keep on barking.

A Papillon and Chihuahua mix, Neptune lived to the ripe old age of 14, despite numerous health issues. A friend commissioned this drawing to give to her aunt, Neppy’s mom.

RIP, Neppy.

Each Day

 

5/22/26 Mt. Rainier from Maple Leaf Park (I tried something a little different with this sketch: Instead of "drawing" the mountain first, I simply painted the sky around it, then smeared through the middle to capture the intriguing cloud formations.)

Mysterious mountain,

a song sparrow’s call,

a bunny munching grass for breakfast:

Each day a fresh opportunity

to miss you.

This Time, Lenin and the Bridge

 

5/23/26 Fremont Bridge and Lake Washington Ship Canal, Fremont neighborhood

Sketching in the Fremont neighborhood is always a game of “choose your icon.” The Troll, JP Patches & Gertrude, Lenin, Saturn, the Rocket (bonus points if you can get both Saturn and the Rocket in the same composition), the Fremont Bridge, the topiary dinosaurs – did I miss any? USk Seattle hit them all last Saturday on a cloudy afternoon.

Although I’ve sketched all of them multiple times, I picked an icon that I may not have sketched as often. It was breezy and chilly by the Lake Washington Ship Canal, but I wanted to start with a peek-a-boo view of the brilliantly blue Fremont Bridge.

After walking around Fremont for a while to warm up, I ended up at the statue of Lenin, where several other sketchers were already settled in at the former Soviet Union leader’s feet. Always a bit daunted by the formidable monument, I walked across the street for a more distant view. I chose a purple and green palette that would contrast strongly with Lenin’s red hand.

In fact, the red hand was just what I needed to fill the short time remaining until our throwdown, when the sun finally came out.

Statue of Lenin

Thornton Creek

 

5/21/26 Thornton Creek water quality channel, Northgate neighborhood

Northgate’s Thornton Creek water quality channel is less than a half-hour’s walk from home, yet I’ve sketched there only a few times. Although the freshly landscaped channel, new in 2009, was still growing in when I first sketched there in 2013, it’s now lush with mature plantings. This time of year, it’s a zillion shades of green with spots of colorful blossoms.

Kim and I take advantage of the sunshine.

I think the main reason I avoided sketching there for many years was that I was intimidated by all that green. In that 2013 post, I drew the landscaping but avoided painting it, knowing that I’d end up with “a huge, dark green mess.” A month later, I was brave enough to get my green paints out (see below), but the foliage was no less daunting.

Kim had never been to Thornton Creek channel before, so I took advantage of a gorgeous afternoon to introduce her to it. Somewhere in the 13 years since those previous visits, sketching layers of lush greenery became less formidable. It probably happened around the time I quit watercolors and embraced pencils! This time I added water-soluble crayons to the mix. While it’s not without challenges, I’m relieved that I’m no longer intimidated by layers of green.

I bravely got my watercolors out for this sketch in 2013.

Sidewalk Stories

 

4/12/26 Maple Leaf

If you walk north of Northeast 95th in Maple Leaf, the sidewalk abruptly ends, and the pavement turns to gravel, which cars park on haphazardly without a curb to guide them. Pedestrians must then walk the slalom of parked cars or negotiate the road with moving vehicles. I always wonder, did the city's tax money suddenly run out?

Even sidewalks can have stories.

If you note the temperature as the days move forward, you'll see them gradually getting warmer. My walk-sketches become a record of spring's optimism.

4/8/26 Green Lake

4/24/26 Green Lake

5/5/26 Maple Leaf Park

5/8/26 a Maple Leaf garden

5/8/26 Maple Leaf

5/11/26 Maple Leaf

5/20/26 Maple Leaf