Intimate Impressionism opened this month at the Seattle Art Museum, an exhibition of mostly smaller works from the National Gallery
of Art. My knowledge of art history is next to nothing, so I appreciated the
opportunity to learn more about this period and see examples of paintings that
are considered to be personal and more intimate and intended to be hung inside
people’s homes. I took advantage of the interpretive audio guide that I could
dial up on my own smartphone to learn more about select paintings. That part of
the show was especially helpful in understanding the context of the works.
What struck me first and foremost as I studied the paintings
and listened to the curators and art historians interpret them was how similar
Impressionism is to urban sketching. The plein air and even some studio
paintings have a fresh spontaneity about them both in subject matter (capturing
ordinary, common people and everyday activities) and technique. From a
contemporary perspective, the paintings don’t seem particularly innovative, but
at the time they made traditional art critics and viewers uncomfortable because
they looked unfinished and “sketchy.” Signed by the artists, they were clearly considered
finished, but much was left implied rather than fully rendered. They weren’t
working in sketchbooks, of course, but I somehow sensed that Monet, Degas and
Renoir would have embraced the spirit of urban sketching – seeing beauty in the
commonplace and celebrating the ordinary.
10/23/15 rainbow pencil |
After I finished viewing the exhibit, I wandered over to the
interactive area. A table had been set up with a variety of still lifes, and a
bunch of tablets were available for guests to try their hand at “painting” digitally.
Of course, that was my best sketching opportunity because the room was
well-lit compared to the dark exhibit areas! (Technical note: If you’ve
ever bemoaned museums’ policy of allowing dry media only, you have to get a
rainbow pencil! I would not have had nearly as much fun making this sketch with
plain ol’ graphite!)
Interesting. I'd not thought of the impressionists as urban sketchers.
ReplyDeleteAnd, OH, THAT's what the rainbow pencil is for!
See -- now you have a use for that rainbow pencil! ;-)
DeleteSounds like an interesting exhibit. I guess they really were the urban sketchers of their time. Nice sketch with your rainbow pencil.
ReplyDeleteSame as MK Buike here : "That's what the rainbow pencil is used for..." lol.
ReplyDeleteHope this exhibition will come to Montreal ;)
Was Cezanne representated, too?
Yes, there were some small Cezannes in the show, too. All wonderful to see in person.
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