5/14/20 Maple Leaf neighborhood |
Years ago I took Stephanie Bower’s “Good Bones” workshop,
which emphasized the principles of perspective. After a morning of rigorously
trying to understand the vanishing point and one-point and two-point
perspective, we had settled into an afternoon of watercolor painting. As Stephanie
began a demo, one student sighed audibly and said, “Thank God the perspective
part is over, and we can just paint clouds!” Stephanie smiled wryly and said, “Clouds
have perspective too, you know! Everything has perspective – even clouds,”
which elicited laughter and some groans from her students.
Whenever sketchers talk about how difficult drawing
architecture is “because of the perspective,” as if only buildings are
afflicted with it, I chuckle recalling Stephanie’s comment. I’m not sure I
fully understood then, but I certainly understand it now: Of course, everything
has perspective, even clouds. I learned the same lesson again a few years ago
in Suzanne Brooker’s colored pencil class when we studied clouds.
Learning and understanding it, of course, is not the same as
being able to render it.
We have been seeing some spectacular clouds lately. On this cloudy
day, I was thinking about a challenge that USk Japan had initiated: Use white
as a key element in a sketch. White could be the negative space left white on
the page or the color white. I went out on our upstairs sundeck to see if I
could capture those amorphous shapes as well as their perspective.
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