Three Cretacolor Marino pencils came in the Amsterdam box. |
The round, metallic blue barrel has a subtle sheen with the
branding stamped in silver. The glossy end cap indicates the pigment hue. Although
I prefer the whole barrel to indicate the pencil’s color, it’s a pretty pencil
design. The color name, number and lightfast rating are on the back (along with
the unavoidable bar code). According to Austrian pencil maker Cretacolor, these “Fine Art
Quality Watercolor Pencils” have the “highest lightfast ratings.”
Harder than most watercolor pencils I’ve tried, the Marinos
hold a sharpened point well for details. A bonus, at least for these three colors,
is that the water-activated hue is the same as the dry pigment. It always takes
a longer learning curve to use watercolor pencils if the hue changes
drastically when water is applied (Derwent Inktense comes to mind).
On the downside, I found Marino pencils to lack pigment
compared to the brands I use most often, including Caran d’Ache Museum Aquarelle, Caran d’Ache Supracolor and Faber-Castell Albrecht Durer. The swatches, made in a Stillman & Birn Beta sketchbook, show
one swipe of a waterbrush. The apple sketch required more applications of dry-wet-dry
pigment than I expected from an artist-grade pencil.
I probably won’t be buying more of these, especially because
I enjoyed using only three primaries. OK, so a red and yellow Honey Crisp wasn’t
a very challenging subject for using three primaries. The fun of it, however, motivates
me to do it more often (but maybe not with Marinos).
Nice work with the pencils. I never seem to really like the effects I get with watercolor pencils, so I rarely use them. I'm happier with my pans and tubes.
ReplyDeleteYour pans and tubes are doing you just fine! :-)
Delete