Saturday, February 15, 2025

Colored Pencils are Back!

 

2/10/25 Seven Market & Cafe, Ravenna neighborhood

My most recent play date with pals Roy and Mary Jean was fun (which it always is) as well as another media shake-up. While we’re indoors for the winter, I’ve been using our sketch gatherings to play with media that are hard for me to use in the field. Last time I used Caran d’Ache Neocolor II. Another time I tried Caran d’Ache Neopastels and Derwent Inktense Blocks. Last week, inspired by my reunion with colored pencils in Sarah Bixler’s class, I put together a palette of Caran d’Ache Luminance pencils based on the colors I’m using in class. Even if the pencils are different, I enjoy using the same limited palette so that I can get accustomed to how the hues work together.

Caran d'Ache Luminance pencils in Sarah Bixler's recommended palette 

We met at Seven Market and Café, a small, eclectic venue in the Ravenna neighborhood in a former old house. Offering provisions like wine, canned fish, stationery, and their own roasted coffees, not to mention excellent pastries, we laughed about how we could live there for a long time! The sketch at top of post looks down the aisle of working antique refrigerators and wine.

Of course, I always like to record the outing in my sketch journal, which is currently a limited edition Field Notes containing turquoise pages. I thought this notebook would be an acceptable, temporary break from Uglybooks, but I must say that the latter’s 80-pound paper has certainly spoiled me. This Field Notes contains 24-pound Astrobrite, and I love the color, but I’m getting bleed-through with some markers and brush pens, and the surface pills under rough Posca markers. Unexpectedly, I’m also feeling cramped by the standard Field Notes size (3 ½ -by-5 ½ inches). You wouldn’t think losing a quarter-to-half-inch in page size would make much difference, but it does. I’ll finish this one up, but I’m already looking forward to going right back to my beautiful Uglies.

Breakfast at Seven Market and lunch at Isarn Thai Soul Kitchen 

I’d been neglecting my round robin Seawhite of Brighton concertina, so I hastily made a sketch facing the storefront with a window view of a Chinese pinwheel palm. After sketching in the book we each had that day, we made another rotation in our round robin. We already have plans for our next group project after the concertinas are full!

Through the front window

A learning opportunity: After I took my “trophy shot” (below) of the colored pencil sketch to share on social media, I frowned at how wimpy the colors and especially the values were. I thought the sketch was done, but sometimes I don’t see how easily I could improve it until after I take a photo. Something about a flat, digital image enhances flaws – which is very helpful! I went home and layered the same colors over different areas and added more contrast overall (the finished sketch at top of post).

Wimpy colors and values
One last highlight: In addition to colored pencils, guess what else is back in action? My beloved Peg & Awl mini Sendak (one of them, anyway)! My commitment to a small everyday-carry bag has prevented me from using any of my Sendaks regularly, which makes me very sad. On our mixed-media play dates, though, I always bring a larger sketchbook and enough additional media that I need to use an auxiliary tote bag anyway, so I’m thrilled to have a purpose for a Sendak again!

Mini Sendak back in action! (Photobomb by Weather Bunny adorning the cover of my concertina's slipcase.)

4 comments:

  1. You have such fun places to meet and sketch indoors. Nice that you have been able to use the pencils and other materials. When we want to sketch in the winter, Suzala and I go through such a hard time thinking of a place to sketch. We don't have much in the way of coffee shops out here. Grr...

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    1. Seattle, of all places, has tons of coffee shops! LOL! However, not all of them are great for sketching... some are too dark, too small, etc. When we find a gem, we keep it!

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  2. I know what you mean about a photo really showing up what is lacking in a color pencil sketch. Can't tell you how many times I went over a sketch I did of a water feature outside of my library to up the intensity and value differences after seeing how vague it looked when I posted it on line. And it still feels like it needs work! That's a gorgeous straight-back chair btw.

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    1. I've often thought about why that occurs... maybe when we're working on the piece, our brains fill in what we see in reality but we haven't necessarily put it on paper. In the photo, all we have is what's on the paper.

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