|Some of the many triad swatches I made.|
From my previous primary triadic studies, I noted that the aggressive players are red and blue, while yellow is an easy-going partner. I started working on the hypothesis that as long as the red/blue combo was playing happily together as purple, almost any yellow could join in without ruining the harmony.
Using Derwent Inktense pencils (at right and below), I first tried several combos of red and blue to mix a purple I liked. I settled on Peacock Blue (820) and Poppy Red (400). Then I tried several different yellows with that combo, one at a time, and couldn’t seem to mix a bad one. I chose Cadmium Yellow (220) to make the tomato sketch.
|1/11/20 vintage Prismacolor Watercolor pencils in|
S&B Beta (Crimson 2924, Violet Blue 2933, Canary
Working with a small set of vintage Prismacolor watercolor pencils, I had fewer hue options, but I used the same principle (at left): First I combined Crimson Red (2924) and Violet Blue (2933) to make sure the resulting purple was strong, and then I threw Canary Yellow (2916) into the mix. Happy with that, I sketched the tomato and banana.
From a previous triad I had tried, I saw that Carmine (and other reds similar to it) often mixed well with others. Using the Caran d’Ache Supracolor line, I found that Ruby Red (280), which is Carmine-like, and Permanent Blue (670) made a lovely violet (below). All yellows I tried with it looked great, and I chose Gold Cadmium Yellow (530) for the apple sketch. I love this triad – clean and fresh with a strong purple. It makes me wish that the Cd’A Museum Aquarelle line included Ruby Red.
Experiments shown today were all done with watercolor pencils. I’m also working on triads using traditional pencils with a more systematic method: The red and blue remain the same in all trials, and only the yellow varies. Stay tuned!
Isn’t this thrilling?! (Yes, I’m easily amused, especially in the dead of winter.)
|1/14/20 Supracolor pencils in S&B Beta (Ruby 280, Permanent Blue 670, Gold|
Cadmium Yellow 530)