Some of the many triad swatches I made. |
From
my previous primary triadic studies, I noted that the aggressive
players are red and blue, while yellow is an easy-going partner. I started
working on the hypothesis that as long as the red/blue combo was playing
happily together as purple, almost any yellow could join in without ruining the
harmony.
Using
Derwent Inktense pencils (at right and below), I first tried several combos of red and blue
to mix a purple I liked. I settled on Peacock Blue (820) and Poppy Red (400). Then
I tried several different yellows with that combo, one at a time, and couldn’t
seem to mix a bad one. I chose Cadmium Yellow (220) to make the tomato sketch.
1/9/20 Derwent Inktense in Stillman & Birn Beta sketchbook (Peacock Blue 820, Poppy Red 400, Cadmium Yellow 220) |
1/11/20 vintage Prismacolor Watercolor pencils in S&B Beta (Crimson 2924, Violet Blue 2933, Canary Yellow 2916) |
Working
with a small set of vintage Prismacolor watercolor pencils, I had
fewer hue options, but I used the same principle (at left): First I combined Crimson Red
(2924) and Violet Blue (2933) to make sure the resulting purple was strong, and
then I threw Canary Yellow (2916) into the mix. Happy with that, I sketched the
tomato and banana.
From
a previous triad I had tried, I saw that Carmine (and other reds similar to
it) often mixed well with others. Using the Caran d’Ache Supracolor line,
I found that Ruby Red (280), which is Carmine-like, and Permanent Blue (670)
made a lovely violet (below). All yellows I tried with it looked great, and I chose Gold
Cadmium Yellow (530) for the apple sketch. I love this triad – clean and
fresh with a strong purple. It makes me wish that the Cd’A Museum Aquarelle line
included Ruby Red.
Experiments
shown today were all done with watercolor pencils. I’m also working on triads
using traditional pencils with a more systematic method: The red and blue
remain the same in all trials, and only the yellow varies. Stay tuned!
Isn’t
this thrilling?! (Yes, I’m easily amused, especially in the dead of winter.)
1/14/20 Supracolor pencils in S&B Beta (Ruby 280, Permanent Blue 670, Gold Cadmium Yellow 530) |
Great insight! Look forward to more.
ReplyDeleteOh good, because there are more coming! ;-)
DeleteI rarely limit myself to triads, but I should try them more often. Seeing these great sketches makes me remember how doing that gives such a great harmony to the piece. I will have to work on that when things calm down here. Thanks for being so supportive through all that I've been going through lately. I really appreciate it.
ReplyDeleteIt is much more fun than I ever thought it would be to limit my palette and experiment this way, and I'm learning a lot, too. Take care, Joan!
Delete