1/19/15 various inks, Caran d'Ache Museum pencils, Baron Fig Confidant notebook |
More than a year ago I supported a Kickstarter campaign for Baron Fig, a couple of guys who wanted
to produce a new kind of notebook. I liked their attitude and approach – ask potential
users what kind of notebook they want rather than simply duplicate products
that already exist. They dared to go against the standard dimensions of the
typical A5 notebook, used better paper, made sure the binding opened flat and
gave it other features that appealed to me.
I knew that the notebook’s paper – though fountain pen friendly
and 100 gsm – wouldn’t be heavy enough for watercolor painting, and I’m not
looking for a replacement for my current sketchbook system anyway. I mainly wanted to support the fledgling company because
it seemed like they might listen to customers (which hasn’t been the case with
most notebook manufacturers I know of).
My intention was to use the hardcover Confidant notebook that I received from the campaign as a journal. As expected, the paper is smooth
and pleasant to write on with a fountain pen, and the book’s construction is
attractive and seems sturdy. (The Pen Addict and Fountain Pen Geeks have
thorough reviews of the notebook with good photos, and many other bloggers have
commented on it.) What’s more, the paper is a
crisp white (instead of ivory), and the books are available with the option of
a plain, unruled page (relatively rare in a vast notebook world that favors all types of
ruling over plain). After an initial scribble to test the paper, I put the
notebook away for future journaling use.
In the year that followed the Kickstarter campaign, Baron
Fig became quite successful and put out a few more notebook designs. Since I had
a plentiful supply of journals on hand, I didn’t pay much attention.
1/19/15 Iroshizuku Take-sumi ink, Baron Fig Confidant |
Fast-forward to a couple of weeks ago, when I had a renewed
fit of annoyance with Field Notes Brand,
a popular maker of pocket-sized notebooks. Maybe my annoyance wasn’t specifically
against Field Notes so much as all small
notebook manufacturers: Why can’t anyone make a thin, pocket-sized notebook with
decent paper? I know it would be too much to ask for full-on watercolor paper (for
that, I’m probably stuck with making my own) – but is it too much to ask for paper that could take a light wash from
a waterbrush and be heavy enough that there’s no show-through? Maybe 90 or 100 pound (150 gsm)? (My experience
with a hardbound Rhodia notebook last summer convinced
me that if Rhodia came out with a thin, softcover version using the same paper,
it would be as close to ideal as I could expect to get.) Perhaps my internal rant
was directed at Field Notes because last summer it came out with the so-called “Arts
& Sciences” series, which gave me high hopes, but even those notebooks had the
same paper as the rest – unusable for any kind of sketching.
Fast-forward further to the past weekend, when one of the
many fountain pen blogs I read raised my awareness of Baron Fig again – this time
about the limited “Time Travel” edition of its Apprentice line of pocket-sized notebooks. Curious about the paper,
I e-mailed to ask and was told that it is identical to that used in the
Confidant notebook I have.
Hmmm. . . ! All the many reviews I’d read about Baron Fig’s notebooks
were written by fountain pen users, not sketchers. Our needs are not very
different – we all want non-feathering, non-bleeding paper with a relatively smooth
surface (though I require less smoothness than most fountain pen users, since a
bit of tooth is fine and even preferred for sketching). The only additional requirements
I have are the ability to withstand a light wash and enough weight that I can
sketch on both sides. I decided to give the Confidant notebook paper a sketching
workout.
Backside of tree sketch (front was saturated with water and ink) |
The first sketch I made was of a bare willow tree while
parked at Whole Foods (at top). As you can see, the top half of the sketch buckled a bit
after I sprayed it with water and took a quick swipe with a waterbrush filled
with ink. But the backside of the same saturated page (at right), while buckled, shows no
more bleed-through than a page with nothing but ink. (The bottom half of the sketch above reveals show-through from the sketch on the next page.)
In another sketch (the planter and the man on a bench, above), I
didn’t use sprayed water or brush-applied ink – just fountain pen ink lightly
washed with a waterbrush. As expected, this time there was no buckling, and the
backside (below) shows only a little bleed-through. The show-through on the back is
more than I would like if I want to sketch on both sides, but it’s no worse
than what I experienced with the Rhodia (which is 90 gsm).
Backside of second sketch (waterbrush wash only) |
A pocket-sized version of this paper would be ideal as a
travel journal (the Rhodia I used in Brazil, though the right dimensions, was a
little too bulky because it was hardbound). It might even be acceptable as a
catch-all pocket sketchbook (the role currently served by my handmade sketchbooklets because nothing
store-bought serves that need)! If only the paper were a bit heavier, it would definitely be acceptable. To express my
enthusiasm for a product that comes very close, I ordered a few pocket-sized
Apprentice notebooks to try (I might take one on my next trip).
What’s potentially more exciting than the notebook itself is
the possibility that Baron Fig might
listen to its customers. Here’s what it says on its website:
“Our team contacted all types of thinkers around the world and
asked them one simple question: What do you like
in a Sketchbook or Notebook? Their
thoughts and ideas continue to fuel our research, discussion, and design.”
I’ve let them know my paper needs. If you have similar (or
other) needs, tell them!
Edited 12/13/16: I took a second look at the Baron Fig notebook after I started sketching with graphite!
Updated 4/20/17: Baron Fig changed its paper – and I like it even better now! See my follow-up review.
Edited 12/13/16: I took a second look at the Baron Fig notebook after I started sketching with graphite!
Updated 4/20/17: Baron Fig changed its paper – and I like it even better now! See my follow-up review.
Good to hear that someone is listening to artist's needs. I haven't tried the Rhodia and never heard of the Baron Fig, but they are worth taking note of. Thanks, Tina.
ReplyDeleteI suppose it's hard for those creating small pocket notebooks to give up page count for thicker paper, given that the majority of people are using ballpoints and pencils to write in them. Like you, though, I wish they would and dream of 30page (3x5) 100lb smooth stock in a soft cover.
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