Friday, March 20, 2026

An Old Moleskine

 

3/4/26 photo reference

I’ve lately had less need for my doomscrolling prevention program. It helps that we’ve flipped the clocks forward, and the Big Dark is over. Gloom and doom in the news is somehow easier to bear when there’s still light left after dinner. In a few weeks, I’ll be able to take short golden hour walks again – the best time to simply enjoy walking without a fitness goal or destination.

After being inspired initially by Orla Stevens’ mixed media and other approaches (even imaginative), I seem to have settled into monochrome sketches using Derwent Drawing pencils. It’s the most relaxing and therefore the most direct in taking my mind off whatever unpleasantness it might be occupied with.

3/18/26 photo reference
Trees in the urban landscape from my own camera roll are an easy go-to. But recently I was thinking about all the portraiture I practiced several years ago using Earthsworld’s reference photos. I’m very rusty, and portraiture always includes some tension because I cant shake the desire for resemblance. But portraiture also offers interesting challenges that continue to captivate me, even if more mental energy is required.

The prompt for portraiture came from the sketchbook I used for these three sketches: a very old Moleskine that contains that weird, heavy, manila-folder-like paper. The first half of the book is filled mainly with portraits I made with ballpoint pen or marker – the ideal media for use on this smooth, strangely water-repellent paper. Since the surface feels similar to Stillman & Birn Zeta, I thought I’d give it a try with Derwent Drawing pencils – and I like it! Those soft pencils seem to glide effortlessly. (My mission to complete partially filled sketchbooks continues!)

3/18/26 Earthsworld reference photo
Skimming the portraits gave me a heavy pang. Dated 2022 and 2023, those portraits were a large part of my original doomscrolling prevention program: Instead of news reports of current events, I was doomscrolling my own anxiety as I taught myself how to navigate caregiving responsibilities. Despite all that is going on in the world now, nothing in the current media gives me as much pain and stress as that period of my life did. Seeing the portrait practice gives me compassion for my former self, and I feel much gratitude.

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