My 2016 Top 10 |
It’s the end of December, which means it’s time for the fifth annual roundup of my Top 10 sketching products of 2016! The series is always among my most-read posts every year. It’s also one I look forward to writing annually because it gives me an opportunity to review and assess the materials and tools that have served me best in the past 12 months.
Unlike some product roundups that include only products that
were released that year, my criteria are different. My focus is on things I use
most often or that best support the way I like to sketch most – on location,
often outdoors, often standing, in a limited time. Versatility, convenience and
compactness are key considerations.
If you’ve seen my lists from previous years, you’ll note
that not much is new; no dark horses this year. A few items in the Top 10
have been there for several years (one has made it onto the list every year),
but a few had to drop off to make room for others. Most notable among the
drop-offs is my beautiful “Stefano” sketchbook system, which had been on the Top 10 every year prior to this
one. You already know how sad I am about that, so I won’t dwell on it again.
A couple of fountain pens dropped off the list – a Pilot Parallel with a modified nib (it’s still fun to
use now and then, but it’s more a novelty than a mainstay) and a Pilot fountain pen with Posting nib
(which was so fine that it encouraged me to be more fussy and detailed, which
I’m trying to avoid).
I was torn about taking ink-filled brush pens off the list, as I still use them regularly when I need a fast
swipe of sky or shadow. But instead of trying to use them as a substitute for
watercolors as I sometimes used to, I’ve cut way back on the number I carry –
I’m down to only one blue and one gray.
Here we go! (Items marked with * are repeats from last year.
The photo reference numbers do not indicate ranking.)
1. Canson XL 140-pound watercolor paper in self-made sketchbook signatures. Ever since I
began binding my own sketchbooks, I’ve tried a lot of different papers. It’s
always about finding a balance between cost and how well the paper’s thickness
and surface meet my needs. It’s also a practical issue: I have a very small
studio with no appropriate surface for cutting or tearing down large sheets. Despite
features I’ve liked about other papers, I keep coming back to Canson XL 140-pound
watercolor paper in a very convenient 9-by-12-inch pad. It’s a “student grade”
paper, so the surface is probably not ideal for watercolor painters, and yet I’ve
found it to be completely adequate for my wet media needs (including some heavy
washes; see No. 9 below). And its availability in a 9-by-12-inch pad means all
I have to do is pull the sheets out and fold them in half to stitch my
signatures. Easy-peasy.
12/10/16 A white Sakura Gelly Roll gel pen is an essential part of my sketch kit so that I can sketch snowmen in my red Field Notes. |
3. Kum magnesium 2-hole pencil sharpener. Who knew that a pencil sharpener would be such an issue?
Almost every type of colored and graphite pencil I own fits into standard
electric, manual and portable sharpeners – except my favorite (see No. 8
below). Caran d’Ache Museum Aquarelle colored pencils are a tiny bit larger in
diameter than an average pencil, causing me no end of headache. For a while I
resorted to sharpening with a knife, but I can’t travel with a blade. (Heck, I
don’t even want to sit on a park bench with a knife in my hand.) Last year I
found the Faber-Castell 9000 while shopping in Tokyo, and that worked
reasonably well, but then it went dull, and I couldn’t find replacement blades
for it. In desperation, I ordered several inexpensive handheld sharpeners that
look like they are intended for kids. The smaller hole of this particular 2-hole
Kum fits my Museum Aquarelles perfectly. And to my delight, I found replacement blades for it! (Note that I
also tried replacement blades from Kum in this sharpener, but for some reason,
they didn’t fit – or at least some in the pack didn’t fit. Aggravating!)
4. * Platinum Carbon Black ink. This waterproof ink is the only product that has been on my Top
10 all five years. It dries almost instantly, is completely waterproof and has
never clogged a pen. Whenever a new waterproof ink came out, I used to try
it, wondering if it could be better. But lately I haven’t even bothered. PCB
has never let me down – that’s good enough for me.
11/7/16 A Kuretake 2-sided non-hairy brush pen gives me a wide variety of line widths in one convenient pen. |
While I’m on the topic of brush pens (surprise, surprise –
one of my favorite topics!), this is a good place to mention the series of
guest reviews I wrote for stationery diva Ana Reinert at the Well-Appointed
Desk:
5/20/16 My Sailor Naginata Fude de Mannen gives me the most expressive lines I can get from a fountain pen. |
7. Field Notes Sweet Tooth edition. By now I have my choice of several Field Notes Brand notebook editions (they’re such an essential part
of my basic sketch kit that I would take one to Gilligan’s Island). But the one that really changed my sketching
life was Sweet Tooth, especially the red one. Something about its playful color
– dark enough to act as a toned background – invites me to sketch the most
uninspired subject matter. The ephemeral nature of Field Notes takes all the
pressure off. As I wrote in the blog post in which I revealed my surprise that Sweet Tooth had taken hold, the
notebook liberates me from expectations and lowers my standards to nothing.
8. * Caran d’Ache Museum Aquarelle colored pencils (and a few other brands thrown in).
Although I use a variety of watercolor pencil brands when I need certain
colors, the Museum Aquarelle line is by far my favorite. They are still the
softest, creamiest water-soluble pencils I’ve used, with or without the
addition of water.
10/12/16 After applying dry watercolor pencils, I gave the tree a quick spritz to activate and intensify the colors. |
10. Kutsuwa Dr. Ion accessory organizer (see below). Purchased in Tokyo last year, this little organizer became
an integral part of my daily-carry bag instantly. It allowed me to remove the clumsy makeshift dividers I had been using to keep
everything upright. Having all my implements standing vertically is a
mission-critical organizational structure for my sketch bag – I can’t tolerate
having to unzip and open internal bags or pockets, or having everything fall into
a horizontal heap at the bottom. (I wish I had a link to give you for
purchasing, but I still haven’t found a US source for it. JetPens.com carries other Kutsuwa products, but not this one.)
Honorable mention:
This year’s honorable mention goes to Stillman & Birn’s softcover series. If I weren’t still happily
binding my own sketchbooks, the softcover version of S&B’s Beta would be my
daily-carry sketchbook of choice and definitely on the Top 10. I still use
Alpha, Beta and Epsilon editions regularly in my studio, though. Alpha, in particular,
is a favorite for those colored pencil still lifes I’ve been doing.
Looking ahead to
2017:
As a new part to my annual Top 10, I’m going to speculate on
the changes I might make to my sketch kit by this time next year. Right now I
can’t imagine anything that would drop off the list (but I always feel that
way). I’m wondering, though, whether a graphite pencil might appear next year –
or is it just a temporary novelty during these colorless winter months? I’m
also really enjoying using pencil with a Baron Fig notebook – is it Top 10-worthy? Time will tell.
Here are my previous Top 10 reports:
Tina's 2014 Top 10
Tina's 2013 Top 10
Tina's 2012 Top 10
I'd sure like to figure out how some people (you) manage to get GellyRoll pens to work. I buy them and half the time they don't work well right out of the package, but even if they do they become intermittent very quickly. It's a mystery to me.
ReplyDeleteAlso wish I could get one of those KUM sharpeners but the crafts/art store here doesn't stock KUM and Amazon.ca thinks I should pay $43 for one of them :-) I do have the KUM long-point, which works well but it's more fussy in use. Happy Holidays, Tina.
Sorry I can't help with either of those issues, Larry! I wonder if the Gelly Roll depends on what's being drawn on. I've never been able to get it to work well over watercolors (it's water-soluble, so it just smears up the paint), but it works great directly on the Field Notes paper.
DeleteHappy holidays to you, too!
Always interesting to read this, even though I sketch nearly right beside you! :)
ReplyDeleteLarry... I use the Signo over watercolor. The page must be completely dry and even then I'm not entirely satisfied with the appearance. Brenda Swenson suggests using the Sharpie watercolor white marker... the oil markers are easier to find and I had to get the watercolor one on Amazon. I'm about to try white acrylic ink with a dip pen... but that would only be added when I'm home, not on location.
I agree that the Signo works a little better over watercolor. I used to use a Molotow acrylic marker, but that thing really clogs up -- and the cap is so hard to pull off! I have an oil marker too, but the smell knocks me out! Seems like this is still a need that some manufacturer should fill -- the perfect opaque white pen.
DeleteI always enjoy reading about your "top 10." I'm looking for something to keep my pens in. I'm tired of digging thru all the pens in a pencil holder and still not finding what I'm looking for. But I need to be able to see the pouch. Looking at it on line just doesn't do it.
ReplyDeleteI hope you find what you need, Joan! It's always great to find exactly the right thing, but I know it can be frustrating -- so many choices, but not many are just right. Let me know if you find it -- I'm always interested in bags and accessories!
DeleteMy favorite post of the year--and another great one!
ReplyDeleteThank you, June -- I'm glad you enjoyed it! Happy new year!
DeleteTina
I've been meaning to ask...what kind of paper are you using on the outside of your Canson XL signatures these days? Do you remove the signature covers before you bind them into books? If not, do you draw on the covers?
ReplyDeleteInquiring minds want to know! Thanks!
Great question, Jean! I use any kind of craft paper/cover stock for the signature covers, and I reuse them over and over, because I take them off when I bind the signatures together. Those covers are used only to protect the inner pages while I'm carrying them around.
Delete