7/29/12, Copic Multiliner SP pen, S & B sketchbook |
7/29/12, Copic Multiliner SP pen, watercolor |
Then we worked from the opposite end – zoomed in on small details with particular attention to values. I was already painting the pots and leaves in this composition when Gabi pointed out the large areas of darker values behind the plants and in the shadows. He suggested that painting in the darker negative shapes around the plants would help to make the lighter plants stand out by contrast.
Finally, we put the two views together in the last assignment: Choose a detail to focus on, but give it spatial context to suggest the larger whole. I sketched a couple of my classmates first and gave less detail to the plants, trees and building behind them, making the human subjects the focal point of the composition.
Thanks for the post, Tina! I love how you summarized the workshop and hope my tips are helpful. In your neighborhood sketch I love how that small tree up against the house really pops, thanks to the dark shadow behind it. Well done!
ReplyDeleteThanks, Gabi! I had a great time!
ReplyDeleteAwwww, I'm jealous, Tina! You had your very own Gabi for three hours! (Okay, you had to share him with the class, but still...)
ReplyDelete