Color in the Bleakness

 

1/27/26 Green Lake Park

After a couple of weeks – weeks! – of much-needed daily sunshine, a thin but consistent cloud cover finally came in on Tuesday. On my walk to Green Lake, I thought about how I could challenge myself in all that flat light: In the same way that a “nothing” view helps me to focus on values, an especially bleak, colorless one would force me to eke out both the color and the values.

Foreground trees, background trees, grass – with all the values and even the hues mostly the same, I had to squint hard to make out any distinctions. Using two colors in my current Caran d’Ache Museum Aquarelle palette, I made the foreground trees way warmer and more vibrant than they appeared in reality. Then I used a blend of two cool colors for everything else. While I exaggerated the intensity, I think the values are generally realistic.

Using the values-based color ideas that I’ve been consciously thinking about lately, I’ll be darned if the color temperature concepts I had been thinking about last year crept in unconsciously! I didn’t notice until I was done. Huh – I guess my brain had been listening after all.

Color notes: Shown below is my current daily-carry watercolor pencil palette of mostly Museum Aquarelles and one Derwent Inktense. (No. 106 is crossed out because I eliminated it during trials when I realized it was too close to 599 to be useful.) It’s an amusing palette: Except for Inktense 760 (Deep Violet), which I have used frequently, all the other colors are ones that I chose by length, deliberately looking for pencils I have rarely used beyond swatching. I’m sure I’ve never used them for urban sketching because they don’t “match” anything I would normally see in my everyday Seattle environment. I’m having a ball using unusual hues without feeling like I’m randomly throwing in whatever.

Current everyday-carry pencil palette