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| 10/23/25 Maple Leaf neighborhood |
On my morning walk when I didn’t have my white Hahnemühle sketchbook, I still wanted to remember this blazing orange oak growing out
of a traffic circle. An orange acrylic marker and Uglybook would have to
do.
Driving home from an errand that afternoon, I had planned to
stop and sketch the oak again, this time in full color, so I grabbed the Hahnemühle.
It was my last outdoor sketch before days of rain set in.
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| The same oak in the afternoon of the same day. |
Technique notes: The full-color sketch here, made
with Museum Aquarelle pencils, is a good example of something I mentioned last week about how Caran d’Ache Neocolor II water-soluble crayons
have taught me tricks to use with those colored pencils.
I used to apply crayons dry to dry paper, then activate with
water. With practice, I found that I could get more vibrant, thorough
activation when I wet the paper generously first, then appled dry crayon to the
wet paper. This technique isn’t new to me; I’ve been using dry-on-wet pencils
for several years, too. But because Museum Aquarelles activate more easily and
readily, I usually don’t need to take it further. The waxier crayons take more
water to fully activate, so I sometimes reapply water and apply another layer
of color.
In the sketch above, I used only pencils in a similar
fashion while keeping the paper fairly wet. What I really like is that as the
paper began to dry, the top-most (orange) layer showed more texture, giving the
tree a nice foliage effect. To be honest, hitting the paper at just the right
degree of wetness is usually a crapshoot and not something I know how to fully gauge
(as most watercolor painters also experience). It’s nice when it happens just
right, though.