Wednesday, April 8, 2026

Good to Be Back (Plus Zeta Mutterings)

 

4/4/26 Mt. Rainier from Maple Leaf Park (Derwent Drawing pencil and Neocolor II crayon in S&B Zeta sketchbook)

Even after only a short time away, and no matter how much fun I had, it’s always wonderful to sleep in my own bed again. (The flight home had been especially grueling: Two-and-a-half hours on the tarmac waiting for stormy weather to clear before five more hours in the same seat.) It always takes me a few days to turn my body’s clock back to west coast time and get back into my routines.

On Saturday the temp got up to 60 with brilliant sunshine! From Maple Leaf Park, Her Majesty looked majestic, indeed. It’s always grounding to sketch a familiar subject that tells me I’m home.

Sketchbook notes: A while back I had mentioned finding an old but unused 3 ½-by-5 ½-inch Stillman & Birn Zeta sketchbook in landscape format. Years ago I had determined that a Zeta book would never be a favorite with mixed media because the surface doesn’t take water well when spritzed heavily. I still think that’s true, but I love the paper so much with Derwent Drawing colored pencils (which I used for the mountain) that I’ve been trying to give the sketchbook another fair shot.

Compare the way the “licked sky” wash in the Zeta sketch above to the one below in my favorite Hahnemühle 100 percent cotton sketchbook. I’m still not crazy about how Zeta’s surface takes washes, but given the infrequency with which I use that technique, I’m wondering if it’s an acceptable trade-off. I so enjoy that lovely, smooth finish with Derwent’s soft core. Sketching the Lincoln Memorial last week on Hahnemühle’s strong tooth just wasn’t as satisfying, and I didn’t like the rough look. The whole time I was sketching it, I was wishing I had a Zeta.

Detail to show "licked sky" using Neocolor II crayon in Hahnemuhle 100 percent cotton sketchbook

I’m just muttering aloud. . . I’ll carry it around for a while longer and see what happens.

Tuesday, April 7, 2026

Washington, DC, Part 4: National Zoo (Plus Sketch Journal Randomness)

 

3/31/26 Smithsonian National Zoo

My most frustrating time of the DC trip was our visit to the Smithsonian National Zoo. Famous for its resident pandas, the zoo is probably crowded throughout the year, but never more so than during spring break aligning with peak cherry tree blossoming. Could we have chosen a more congested time to visit?

Although I managed to sketch a few animals here and there, it was extremely challenging just to move through visitor traffic, let alone stop for a sketch. To make matters worse, temps in the low 40s during the early part of the trip had suddenly changed to the mid-80s! I wasn’t quite ready for summer!

As expected, the panda exhibit was the most congested of all, but the well-designed viewing area made it relatively easy to get a good look. Delighting everyone, this panda spent quite a while sitting on his comfy stump, chewing bamboo. (See my Instagram post for a video of this cutie.)

After an exhausting, grueling day swimming upstream through a continual river of humanity, we all needed a break. Lucky for us, the district’s best donut shop was only a few blocks away! It was the highlight of my last full day in DC.

One of the zoo's stars
Donuts make everything better!

The rest of this post is a collection of sketch journal randomness during my travels. Using DC’s excellent Metro system daily gave me lots of commuters to sketch.

3/27/26 light rail ride to the Seattle airport
Waiting at SEA

3/28/26 First of many DC Metro train rides





4/1/26 Looking for lunch at DCA before our flight back to Seattle, my brother-in-law
and I found unexpectedly good sushi at Matsutake Sushi!

Waiting at DCA
Yes, I did get some peanut M&Ms -- a "shareable"
size bag that I didn't share! ;-)

Mandatory gate sketch

Monday, April 6, 2026

Washington, DC, Part 3: Memorials, Monuments and “Trophies”

 

3/29/26 Lincoln Memorial

Traveling with others who are not sketchers always presents a significant challenge (I talked about some solutions I found during my years of travel with Greg in this post and with other family members in this post). I know that tension is a common issue because the question comes up frequently when talking about travel sketching: "How can I sketch while traveling without the others in my party getting bored or impatient?"

During our short visit to DC, I knew I’d be doing most of my touring with family members, including a toddler. Since the main point of the trip was our reunion, it was my top priority to share experiences with my family. At the same time, while most of the others had been to DC before, it was my first visit, and I wanted to sketch “everything” (impossible under any circumstance, but the feeling was there). If I didn’t give myself enough sketching time, I would end up feeling frustrated.

The solution for me came naturally: Sketch quickly and sketch small. (These guidelines also work well during high heat, as I talked about here.) On a day when my family decided to tour as many memorials and monuments near the National Mall as possible, I never made them wait. When I saw something I wanted to sketch, I indicated that I was pausing, and the rest of the group slowly meandered on. I kept an eye on their direction and easily caught up.

3/29/26 World War II Memorial and Vietnam War Memorial

At other stops, I simply decided I didn’t have to sketch “everything” I saw. What did I do instead? Snap photos like a “normal” tourist! (I guarantee that years from now, I will remember those I snapped only vaguely, if at all, while the ones I sketched are firmly etched in my memory.)

It was hard not to stop for a sketch at the National Gallery of Art's Sculpture Garden! Evoking the Eagle at Seattle's Olympic Sculpture Park, the red sculpture is by Alexander Calder.

One of the most visually haunting sights was the Korean War Veterans Memorial, where 19 life-size sculptures depict soldiers trudging through muddy battlefields. I would have liked to sketch one of them.

At the Smithsonian National Museum of Natural History, we all had different interests, so we agreed to split up and meet back at an appointed time. My frustration there was not about being with family; it was that the museum was mobbed! As in all natural history museums, my primary interest was the prehistoric animal skeletons, but it was just too hard to see exhibits easily and sketch comfortably with so many people all around.

3/29/26 Smithsonian National Museum of Natural History

Although I managed part of a mastodon and the museum’s mascot elephant, that was all I could tolerate. I retreated outdoors, where the museum entrance is flanked by three brand new bronze sculptures of American bison. Only weeks in their new home, the larger-than-life bull, cow and calf were made by wildlife artist Gary Staab. How did I not know that the bison was our national mammal?

One of three bronze bison outside the museum entrance

Wanting to spend a little more time on the Lincoln Memorial than on other sketches I’d made that day, I let the others know where I would be: Squeezed against a barrier behind me to avoid being jostled by the masses. Speedy as I am, I don’t think I tried my family’s patience, even with slower colored pencils (top of post).

The next day was a prearranged meetup with USk friend Joel (see yesterday’s post for our time at the Tidal Basin). After we had gotten our fill of cherry blossoms, we had lunch at a museum café, then made our way to the Capitol. Visible from every direction, the Capitol building is a formidable architectural challenge. Typically, I favor speed over accuracy, but with our nation’s capitol, I took the time to take rough measurements (with a fair amount of mental sweat). Without the staggering crowds elsewhere and with comfortable weather, it was an enjoyable challenge and my most relaxing and leisurely sketch experience of the trip.

3/30/26 The U.S. Capitol (A beautiful, sunny afternoon after two days of bitter wind and cold!)

Joel and I show off our trophies! Whew -- that building is a challenge!

After Joel and I had parted ways, I checked in with my family, and they happened to be on the opposite side of the Capitol building. I suggested that we meet at the base of the Ulysses S. Grant monument in front of it. In the time that it took them to walk around the building, I sketched Grant for National Pencil Day.

3/30/26 Ulysses S. Grant monument near the Capitol (sketched with a Derwent Drawing pencil on National Pencil Day)

When planning the trip, I had three “trophy” sketches in mind: the Jefferson Memorial with cherry blossoms, the Lincoln Memorial, and the Capitol. Check, check and check!

Sunday, April 5, 2026

Washington, DC, Part 2: Tidal Basin Cherries

 

3/28/26 Jefferson Memorial

Washington Monument
When I heard that Washington, DC,’s famed Tidal Basin cherry trees were expected to be at peak on the very weekend that my family would be in town, you can imagine my excitement! Petal peeping at the national level! With many years of experience sketching at the University of Washington Quad, which can attract a hanami crowd of thousands a day (a total of 40,000 during the couple of weeks that the cherries are in bloom, according to the UW), I thought I was well-trained and ready. But nothing I’ve experienced as a sketcher could have prepared me for the density of the crowd that those blossoming trees attract!

Despite that challenge, I had the opportunity to sketch the cherries twice. The first was during Sakura Taiko Fest on the same Saturday as the No Kings march (which was over by the time we arrived, but crowds lingered). Along with tens of thousands of other petal peepers, I was determined to find the picture-postcard scene I was looking for: the trees with the stately Jefferson Memorial on the opposite side of the basin (top of post). Although the sheer quantity of blossoming trees is truly impressive, I didn't know how to show that!

Although multiple banks of porta-potties were available nearby, lines to use them were long all day. I used the waiting time to sketch more blossoms, this time with the Washington Monument (at right).

The following Monday, I had a slightly less congested opportunity to sketch the trees again (though it was still amazingly crowded for a weekday). I was happy to meet up with USk buddy Joel, whom I have sketched with at every symposium I’ve attended as well as in Seattle a couple of years ago during Sketcher Fest. This time, he got to show me his neck of the woods and offer helpful tips on how to tour the National Mall more humanely (like where to find restrooms and good cafes).

3/30/26 Tidal Basin

So I’m a tourist: I couldn’t resist ghosting the Jefferson Memorial back there behind the blossoms. The strong wind of the previous days must have shortened the cherries’ peak considerably; petal “snowfall” was everywhere, and the green leaves were showing through between blossoms.

Joel sketching cherry trees

(Part 3 will continue with more sketching that Joel and I did that day.)

Me sketching from the Porta-potty line

I tried to take a photo that showed the density of the Tidal Basin crowds, but I'm not sure this captures it.

Tina and Joel at the Basin

Saturday, April 4, 2026

Washington, DC, Part 1: Family

 

3/28/26 National Mall, Washington, DC. A kite-flying festival was one of many events associated with the annual cherry blossom festival.

With members scattered on both coasts, my family tries to reunite annually. It helps to have an event to gather around (we especially like eclipses). This year the event was a taiko festival associated with Washington, DC,’s annual cherry blossom festival. Since I had never visited the DC area before, it was also an opportunity to sketch sights that were all new to me.

On stage in the shadow of the Washington Monument, the all-afternoon Sakura Taiko Festival was organized and led by my nephew-in-law, Mark Rooney. A challenging factor was that the event was the same day and location as the No Kings march and the peak of the cherry blossom bloom around the Tidal Basin. Lots and lots of people everywhere! Another challenge was that the temperature was in the low 40s with bitter wind most of the day. 


The taiko drumming could be heard from a long distance, adding a festive flair to other general cherry blossom festival
 goings-on all around. (Since I had opportunities to sketch the Tidal Basin cherry blossoms twice, I’ll put those sketches in a separate post.)


In addition to instructor and leader Mark, his wife Kristen and my other niece (and Kristen’s cousin) Alix are also taiko performers. The two cousins practice on opposites sides of the country, so it was especially fun to see Kristen and Alix perform together on the same stage for the first time. 

The highlight for my family was a performance by Kristen and Mark that was a tribute to my mom (Kristen’s grandmother). Called "Waiting for Spring," the performance included my mothers haiku poetry. I got a little teary thinking about how proud and happy she would have been to see that performance (and I’d like to think she did from somewhere).



On another day, we visited the National Japanese American Memorial to Patriotism together. The memorial honors Japanese Americans who served in the US military during World War II. The 100th infantry battalion and 442nd regimental combat team, fighting in Europe, became the most highly decorated army unit for its size and length of service in American military history. (Ironically, many of these servicemen had family members who were incarcerated by the US government while they served). It also acknowledges the injustice of more than 120,000 Americans of Japanese descent being incarcerated for the war’s duration.

Ten markers surrounding the memorial indicate the names of the 10 concentration camps and the number of citizens who were held at each. My parents and both brothers were incarcerated first at Tule Lake and then Minidoka. Since the two markers happened to be next to each other, this spot was ideal for a family portrait.



A highlight for me was collaborating with my grand-niece Kaila at the memorial. Now three-and-a-half, Kaila had taken interest as I sketched the memorial’s central crane sculpture, and I invited her to participate.

3/30/26 Collaborative work by Kaila and Tina

3 1/2-year-old Kaila hard at work


Finally, we all got to meet two furry members of the Koyama family, Roxie and Mugicha (whom I had sketched previously from a photo).

4/1/26 Mugicha and Roxie

Friday, April 3, 2026

Overcharged at Project 9

Evidence
When I was reviewing a credit card statement a while back, a charge from Project 9 Brewing Company from the night of the Super Bowl caught my attention. The charge was for $41.05. I knew that I had had only one small beer and some food, but the food was from an independent food truck vendor, so it was a separate charge. Why was the charge so high? Had I forgotten that I had treated my friends that night? I checked with them, and they remembered buying their own drinks. It was obviously an error.

I knew I could file a formal dispute with my credit card company, but I really like Project 9 (it’s a favorite venue for USk drink & draws), and filing a dispute would leave a bad taste in my mouth. I decided to talk to them about it directly instead. The bartenders gave me contact info for the owner.

In my email to him, I described what had happened and that I believed I had been overcharged. As “evidence,” I attached one of my sketches from the evening (detail shown here). The shape of the glass indicates the size of my beer, and of course, I had labeled the beer’s name.

He fully refunded the overcharge (including the legitimate cost of the beer) with apologies and no questions asked. I appreciate the customer service, and I’m sure I’ll be happily returning to Project 9.

The moral of the story: Always sketch your food and beverages in case you need evidence of an overcharge! 😉 

Wednesday, April 1, 2026

The Original Fude Pencil

 

3/25/26 Uni Mitsubishi "brush pencil" in Stillman & Birn Zeta sketchbook (photo reference)

After thinking about the Uni Mitsubishi “brush pencil” and talking about it in yesterday’s post, I couldn’t help but pull it out – it had been ages since I last used that amazing pencil. Indeed, it is the fude of graphite pencils – ultra smooth, 10B graphite combined with a thick, thick core.

I made the same types of swatches I did with the Derwent Drawing pencil in yesterday’s post: the side of core, with the point in multiple, lightly applied layers, and a high-pressure application with the point. With firm pressure, it’s so dark it looks almost like a marker. What a pencil!

Uni "brush pencil" swatches made in Zeta sketchbook

Yet is it more of a fude than a Derwent Drawing pencil is? I think not; they are equally fude-esque. And the Drawing pencil has the added benefit of not smudging nearly as much as the Uni “brush” does. Graphite or colored, any pencil can compete for the fude title – but it’s not easily earned. I’d welcome other contenders! I certainly don’t own any others!

Its title is stamped right on the barrel: fude enpitsu ("brush pencil")

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