In with the new: my fresh watercolor palette. |
In the cold, rainy months when I do all my sketching
indoors, I’m happy making relatively monochrome sketches with pen and ink
washes. But when the weather gets warmer, and I sketch more outdoors, I need a
broader stroke for wide-open skies and the brighter hues of watercolors.
For the better part of a year, with a few colors
occasionally swapped out, I’ve been using mostly the same palette: Alizarin
Crimson, Quinacridone Sienna, Cobalt, French Ultramarine, Indigo, Nickel Azo
Yellow, Quinacridone Gold and Sap Green. Recently I took out Sap Green (I finally felt secure enough mixing my own greens) and put
in Perylene Violet, but I didn’t get much out of it.
Now that the sun is out, I decided it was time for a fresh
palette. Here’s what I just put into my Trader Joe’s mint tin (see above):
Alizarin Crimson
Cadmium Red
Aureolin
* New Gamboge
* Indantherene Blue
French Ultramarine
* Cadmium Orange
Sap Green
The paints marked with * are those that I’m not familiar
with and that are on Shari Blaukopf’s
list of recommended paints for her watercolor workshop that I’ll be taking next
month, so it’s a good time to get acquainted with them. She didn’t require
them, but I was due for a change, so I’m looking forward to trying
something new.
(I’m not sure why I put Sap Green back in now that I’m finally feeling comfortable without it, but it was on Shari’s list, too.)
Out with the old. |
Shari lives in Montreal. I'm in Quebec City. She uses sap green. I use sap green. While Shari is a real artist and I'm just a street sketcher, we may use for similar reasons. There are lots of buildings in Quebec with oxidized copper roofs. I've found that mixing sap green with a bit of ultramarine is a quick way to get the blue-green color.
ReplyDeleteCheers --- Larry