10/25/12 Kuretake Brush Writer (2-min. pose) |
I’ve taken classes in figure drawing, studied books on anatomy for artists, and practiced on my own in figure drawing open studio sessions, but nothing has excited me as much about drawing the human figure
as this book: Expressive Figure Drawing: New Materials, Concepts and Techniques, by Bill Buchman.
This quotation towards the end of the book sums up the
author’s dynamic teaching philosophy: “The process of learning to draw the
figure and the process of releasing your creativity and expressivity are one.”
11/8/12 Nero pencil (20-min. pose) |
He begins with the drawing process, seemingly paradoxical guiding
principles (“you have to give up control to get control”) and practical strategies
for gauging accurate proportions. Using a variety of media (including some
unconventional combinations such as water-soluble wax crayons with diluted
acrylic ink) and tools like sumi brushes and reed pens, the author gives an
example on every page of the concepts and techniques practiced in the exercises.
(These examples are some of the most beautiful figure drawings I’ve seen and
are alone worth the price of the book.) These concepts and techniques include
gesture, mass, line, structure, shape, volume and color. Several step-by-step
process examples are also given, which made me feel like I was looking over his
shoulder in the studio. The book closes with ideas on developing what the
author calls the “expressive mindset”: learning how to capture the spirit or
life of the subject, or the Chi.
Ultimately and ideally, by following the book’s exercises
and practicing diligently, the expression conveyed by the human body and the
expression conveyed by the artist will come together in a dynamic life drawing
that does, indeed, have life.
I can’t wait to get back into a figure drawing studio to
practice the innovative exercises in this book!
(This book review also appears on Amazon.com.)
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