Media Mishaps at the Zoo

3/2/26 Grizzly and brown bears, Woodland Park Zoo (Derwent Drawing pencil in Stillman & Birn Beta sketchbook)

This is the time of year when we are occasionally surprised by delightfully sunny and even warmish days. Although it was still cold in the morning, the afternoon was just right for one of my favorite fitness-walking locations: Woodland Park Zoo.

Starting in the opposite direction from my usual zoo route, I spent some time on the Living Northwest Trail. I’m often disappointed in this section because many animals like to stay hidden, but on this afternoon, I saw and/or sketched almost all the residents.

Despite being the most frustrating, my favorites to attempt to sketch were the young bear pair, Fern and Juniper (Fern is actually a grizzly, not a brown, I learned later). I watched for quite a while as they wrestled and played continuously, their heads often buried in each other’s long fur. Waiting patiently (more patiently than most visitors, who snapped videos and then moved on quickly, just like at art museums), I drew whatever feature or shape I could capture in a second or two. When the bears flipped over and revealed their heads, I quickly refined what I’d drawn before (top of post). Challenging but so much fun!

The lazily grazing and dozing mountain goats were no challenge at all by comparison.

Mountain goats (Caran d'Ache Museum Aquarelle and Derwent Inktense pencils in Hahnemuhle sketchbook)

Huckleberry, the sole male elk, and one of his mates were resting together by a tree – also easy. However, this is when my media mishaps began. I hadn’t sketched with Tombow Dual markers in a long time and had given most away during my downsizing. Somehow I found one in my hand recently, so I put it in my bag on a whim. (I used one at the Cocoa Legato open mic recently, too.)

Elk (Tombow Dual marker in Hahnemuhle sketchbook)

Sketching these elk reconfirmed what I don’t really care for about Tombows. Although I do enjoy being able to do quick and easy shading by washing the water-soluble ink (a favorite technique for many years), I don’t like the stiff lines that the hard tips on these markers make, especially when drawing animals and other organic subjects. I much prefer a fluid, “hairy” brush. Trying to recap the pen as I was thinking about this, the cap slipped out of my hand and disappeared between the boards in the trail walkway (and we all know that the most valuable part of a marker is its cap; without it, the pen is useless).

I ended my visit with a favorite exhibit, the Humboldt penguins of South America. Luckily for me, it was feeding time. The keeper carefully and fairly distributed fish to each penguin (calling some by name). Unlike most birds around food, the penguins crowded around the keeper but were very orderly, waiting their turn (imagine gulls or crows waiting their turn!).

Humboldt penguins (Pentel Sign brush pen, Pitt Artist Pen, Inktense pencil in Hahnemuhle sketchbook)

I knew my black Pentel brush pen was running dry, but I hoped that I could squeak through the sketch – barely. To make up for it, I pulled out a gray Faber-Castell Pitt Artist Pen, and by poor coincidence, it was nearly dry, too!

All I can say is: Thank goodness for colored pencils!