Saturday, January 4, 2025

Reassurance

 

12/31/24 Maple Leaf neighborhood

For the first time after many days (weeks?) of rain and overcast, the day began with a clear, open sky. When I got up from the breakfast table to microwave the second half of my cup of coffee, I spotted Her Majesty silhouetted against the predawn sky. I dashed upstairs to sketch this on the last day of 2024.

Hoping that the next morning would be just as clear, I had plans to sketch Mt. Rainier again, already drafting in my head some kind of metaphor, philosophical musing or at least an expression of optimism represented by one year ending and another beginning with Rainier sightings. Jan. 1, however, began and ended with overcast skies, no mountain to be seen all day.

I’ve already talked about Her Majesty’s indifference to human constructs like buildings and utility poles. And so it is with human constructs like calendars. She stands back there quietly, every day of the year, whether I see her or not. I’ll choose to find that reassuring.

Friday, January 3, 2025

Review: Filgo Colored Pencils – Sunset


Filgo colored pencils from Argentina



It’s not what you think! I didn’t fall off the wagon yet again. I can explain!

Back in the fall when the Urban Sketchers Symposium took place in Buenos Aires, I saw a few sketchers showing the contents of their goodie bags on social media. One item that caught my eye was Filgo colored pencils, which I had never heard of. Then one sketcher showed what she was doing with them, raving about how much she loved them. Ooo, that got me curious!

(Incidentally, if you’re wondering if I was able to add a symposium-logo pencil tin to my beloved collection, I would have – except there was none to be had from Buenos Aires! Long before the symposium, I had asked a friend who was planning to attend if I could have the Cretacolor tin, assuming one would be included in the goodie bag, and she kindly agreed. When she returned, though, she gave me the sad news, which I had already suspected from images of the goodie bag that I had previously scrutinized. If the Auckland symposium tin was the last of the series, I suppose I should be relieved that my collection is complete [other than the mysterious Barcelona tin, of course], and I won’t have to beg anymore. Sigh. I’m going to miss the hunt.)

My Googling had indicated that the Argentinian Filgo brand wasn’t impossible to get in the US, but difficult and pricey . . . and oh yeah, I’m supposed to be downsizing.

Fast-forward to the November Gab & Grab, where the pencil fairies were looking out for me! Another friend who had attended the symposium was offering her Filgo pencils – which I promptly grabbed!

"Black & White" refers to the color opacity that works well on dark papers as well as light.


Filgo’s Black & White Supersoft Sunset Tones includes 15 colors. Since most of the product information on the package is in Spanish, I used Google to help me translate from an image. That’s how I learned that “black and white” indicates that the colors are opaque enough to use on black or dark papers as well as white.

Made in China, the simple, round pencils are capped with color indicators. No color names or numbers are printed on the barrels. Distinctively, the entire wood barrel is dyed black. The well-centered cores sharpen well, too.



The soft cores produce little dust. I would not say they are “supersoft,” but soft enough to be pleasant to use and relatively well pigmented for pencils that are likely to be a budget-priced set for students.

The color range is, by definition, limited to “sunset tones” (which I found to be limiting, indeed, for my test sketch). I’m assuming that other color-themed sets are available to cover the rest of the spectrum. My swatches were made in a Stillman & Birn Epsilon sketchbook and a black Uglybook. I found that my scanner seemed to dull the colors on black paper, so I also photographed the page (which is marred by glare, but that’s the tradeoff).

Filgo swatches made in Stillman & Birn Epsilon sketchbook

Swatches in black Uglybook (scanned)

Swatches in black Uglybook (photographed)

Making my test sketch on Christmas day, I chose this Santa-looking guy (though with much better hair than Santa’s) from Earthsworld’s reference photos. Although the sunset hues worked well for his skin tones, I missed having a cool violet or blue to dig into those dark shadows. I made do with the darkest maroon.

12/25/24 Filgo colored pencils in S&B Zeta sketchbook

While not as soft or high in pigment as the recently reviewed iBayam colored pencils (which are likely to be in the same general price and quality range), Filgo colored pencils are pleasant enough to use. But I’m glad I didn’t hunt them down and pay international shipping rates to buy a set.

Curiosity satisfied, I can sleep at night again, and I’ll happily take this set to the next Gab & Grab. (I wish I knew more hardcore colored pencil geeks in Urban Sketchers Seattle. We could all save money and keep our stashes manageable by continually passing around our pencils for others to try.)



Thursday, January 2, 2025

Natalie’s Birthday Party

12/31/24 Macrina Bakery, Maple Leaf neighborhood

The card I made for Natalie
(drawn partly from imagination and inspired by
a photo of her wearing these holiday accessories)

On the last day of 2024, Natalie invited me and a few other friends to her sketchy birthday party at Macrina Bakery. Friends, sketching and cake – what better way to usher out one year and greet the next? I'm grateful for all of it.

Wednesday, January 1, 2025

Acknowledgment

 

12/30/24 Aegis Living residents

One thing Theodore tries to do during his gratitude talks is acknowledge or express appreciation for each individual resident, even in the smallest way: Complimenting the color of an accessory; noticing a smile; relating to a comment the resident had made the day before. If he has nothing specific to say about them, he expresses appreciation for their presence.

As Greg and I listened, I tried to do the same with my sketches. Although I didn’t write many comments, I mentally noted whatever I knew about them. I already knew most of their names, but when I didn’t, I paid attention to Theodore, because he always acknowledges everyone by name.

In our culture and lifestyle, it seems normal and even sometimes necessary to ignore most strangers we encounter just to get through the day. I do it most of the time – except when I draw. Whether they are of random strangers on public transportation or not-at-all random people like Greg’s co-residents, I want my small life portraits to be intentional and with silent acknowledgement, even if they take only a few minutes. Bob, Jean, Sue, Jamie, Connie – thank you for being here for me to draw.

Related Posts Plugin for WordPress, Blogger...