2/1/18 15-min. pose |
A
couple weeks ago I talked about our Gage model Shauna and how her energy expressed through creative, spontaneous
poses kept me engaged, which made it easier for me to push through my
rustiness.
Last
Thursday my experience was just the opposite. Our model (I didn’t learn his
name) held poses well, so I can’t complain about that. But something about him
seemed lethargic and lacking in energy. Maybe he sensed that we weren’t engaged (one artist seemed
distracted; several walked in late.) Maybe he was just tired. I’m certainly not
blaming him for my drawing quality (or lack thereof), but instead of feeling
energy being given to me (as in the case of Shauna), it seemed like my energy
was fading away. Or maybe I was just tired, too.
I
thought again about Peter Steinhart’s book, Undressed Art – Why We Draw, in which he talks
about this unspoken exchange that occurs in life-drawing sessions. As you know,
I also enjoy sketching strangers in public places who are (I assume) not aware that I am drawing them. In those
cases, the communication between us is completely one-sided – I take what I can
from them, and they don’t notice. Those “models” are more like fruit or other
still lives (well, other than the fact that they move!) Drawing a paid model is
very different because he or she has willingly come to pose for us, and the
communication goes both ways. Even when the communication is not the kind I
prefer (like last Thursday), I am fascinated by this process.
And no matter who the model is, life drawing at Gage is one
of my favorite ways to spend a cold and rainy winter afternoon.
2/1/18 2-min. poses |
2/1/18 2-minute poses |
2/1/18 5-min. poses |
Great figures, Tina!!! You are definitely nailing them!
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