Not-Pink Motorcycle

 

Here’s another sketch I made when I took the Caran d’Ache Neocolor II Botanic set to Lighthouse Roasters. All the floral pastels in the set inspired me to make color choices based on values while ignoring the local hues. While I was making the sketch of the house I showed in the review post, a motorcycle rider parked his bike right in front of me. Although I knew he went into Lighthouse for coffee, I didn’t know if he was just getting it to go or was staying for a while, so I was under some pressure (Oh, goody! You know how much I like that kind of pressure!).

Very quickly, I used the light pink to block in the main shapes. This was not so much a value choice as simply using a pale color that would be drawn over later (one of Kumi Matsukawa’s basic principles of her urban sketching technique). Then I used the blue to draw the shadow shapes and dark parts of the bike. With that much drawn, I knew I could finish if the rider rode off with my model.

Since he was apparently having his coffee “for here,” I had more time to add the darker pink as the midtone. I was just adding details like the lights and spokes when he came out and rode away. (In retrospect, it occurred to me that it would be difficult for a motorcycle rider to take coffee to go!)

From memory, I put in the bike wheel’s shadow with the darkest crayon in the set, then realized I could use that color a second time (something I learned from Eleanor Doughty) as the background.

I really like how these thick, blunt crayons prevent me from getting into details and push me to see abstractions.

When I got home, I saw that the background needed to be darker, so I added another layer before scanning.

The Caran d’Ache Elephant in the Room

 

The elephant in the room

Oooh, new colors of Caran d’Ache Neocolor II crayons!

Hmmm . . . it’s going to be difficult to get further than that without addressing the elephant in the room, so let’s get on with that. I’m sure you’ve heard the kerfuffle by now, as it’s very old news:

Nearly a year ago, Caran d’Ache released 15 new “special edition” colors of Neocolor II water-soluble wax pastels to celebrate the popular product’s 50th anniversary. The Swiss company packaged the new colors within five anniversary sets mixed in with standard colors. If you wanted all 15 of the new colors, you would have to buy all five sets, each containing three new colors and seven standard colors.

Released in autumn 2025, the Neocolor II 50th anniversary special edition included 15 new colors -- three in each of five sets.

In response to many, many inquiries and comments on social media, Cd’A reps responded that the new colors would not be released as a set containing only the new colors, nor would they be available open stock. Consumer outrage, disappointment and anger ensued.

Despite my vast downsizing, I have made judicious decisions to retain products I enjoy using. I still “collect” certain products for their “specialness” (like anniversary editions), not for their potential resale later but just because it’s fun, and I still use them. It’s a hobby.

The "Lush" set is my favorite in the anniversary release.

OK, I admit I’m also a “completionist” who wants all the colors of a favorite product, but let’s not split hairs. I did wait long enough for Blick to stock the 50^th anniversary sets, and I bought all five. (I did intend to blog about them at some point, but that’s the part I’ve become less interested in as I’ve worked on downsizing. I photographed the sets when they were new, then forgot about reviewing them.)

Meanwhile, as I observed the drama unfolding in the art supply community, I was a bit surprised that others were so appalled by Caran d’Ache’s new mixed sets. The packaging decision may have been questionable, but I wasn’t surprised. I also did not in the least expect that they would release the new colors open stock. They never did with the “limited edition” colors in the Supracolor 30^th anniversary set, nor with the 2024 “special edition” set of 18 Supracolor colors that weren’t even tied to a special occasion. Maybe I’m cynical because I used to work in marketing, but all of their marketing shenanigans just make me shrug. And I willingly open my wallet because I love and use many of their products (especially Neocolor IIs the past couple of years).

All of that was last fall. Fast-forward to a month ago, when the plot thickened: Caran d’Ache released a whole new “Botanic” set containing only and all 15 of the “special edition” colors, just as consumers had been demanding! (Notably, the set is not being marketed as a 50th anniversary edition.) Those who had been pleading with Cd’A to do just that were overjoyed. Those who had begrudgingly purchased the five anniversary sets were newly outraged: They had been deceived and lied to by the evil Swiss company!

This summer's "Botanic" release includes all 15 of the new colors.

With a career in marketing, I feel some empathy for the reps who had responded to pleading consumers with the company’s position at that time.* Did they withhold information about their plans to release this year’s set as a deliberately deceptive “money grab”? I’m not sure I would give Cd’A that much conniving credit. At the time, they probably intended the five anniversary sets to be the end of the new colors. When they saw an opportunity for a new package, they made one. That’s what marketing is.

Another thing about the Botanic set that raised ire and (understandable) frustration is that it was available only from Caran d’Ache’s websites, which are in numerous countries, including the US, but not worldwide. Customers in some countries without dedicated Cd’A sites were not able to purchase the Botanic set.

In the interest of Neocolor geekery, shown from top are changes in Neocolor branding: The first is from my oldest bunch, probably at least 10 years old; the next two are from the special edition colors (note that they lack a barcode -- a sign that open stock will not be offered); the final two are regular stock with the current branding, which is the same as the special edition branding but includes a barcode.

I only found out about the Botanic set when a couple of YouTube videos happened to pop up on my feed saying that they had gotten it from the US Cd’A site. By the time I got there, it was sold out, so I inquired about more stock. I was told that it would be restocked imminently, but once that supply sold out, it would not be restocked in the US. (I grabbed mine there a few weeks ago after the second restock.) I also inquired at Blick and Goldspot, two sites where I have gotten Caran d’Ache “limited edition” products in the past, and both said they would not be stocking it.

At the same time that the Botanic set was released, Caran d’Ache also released two other packages for the new colors: a “Twilight” set and a “Landscape” set. Each containing 10 of the 15 new colors, the two sets combined would get you all 15 colors (with some overlap). These had been available on the US site longer than the Botanic set, but apparently they have sold out, too, as now I see them only on the Swiss site.

The limited availability didn’t surprise me, either, as I’ve seen Caran d’Ache release other limited edition products only on their own sites or only in Europe. It’s disappointing, but not unexpected.

Anyway, there’s the elephant. Now, can we get on to the new colors?

Neocolor II special edition colors swatched in Hahnemuhle student-grade watercolor sketchbook

“Botanic” is a bit of a misnomer; I think “Floral” would be a better name, as the set includes only one green. That green, though, Aucuba Green, is one I really like, and I have been using it in my daily-carry lately (for example, it’s the main green in the two sketches in this post).

When I first purchased the anniversary sets last winter, I was thinking Peach Blossom, Tyrian Pink and Rose of Garance would be fun to use during Sakura season. Unfortunately, I had kept them in their anniversary tin and not my general Neocolor box, so I forgot to use them last spring. I have since put all the new colors into my general storage box, and I’m looking forward to using those pinks next spring.

Caput Mortuum (what a horrible name – Google it – for any color, although I do like the hue) and Garnet are too similar to be together in a such a small set. Certainly either could have been replaced by a dark green in a set called Botanic. In general, I think the Neocolor II line could use more greens. (I would especially like to see the addition of Dark Phthalocyanine Green [719] from the Museum Aquarelle line; I’ve used more singles of that green than any other Museum color.)

I used to think I didn’t have much use for the many pastels in the Neocolor II line, but ever since I discovered how opaque they are, I’ve found that the lighter tints are fun to use in Uglybooks. I’ve been making it standard practice to swatch Neocolors on dark paper as well as white to check opacity.

Most of the new colors swatched in black Stillman & Birn Nova sketchbook

I took the new colors to Lighthouse Roasters in Fremont to make a sketch across the street. Last winter, you may recall the “wacky palette” experiments I made using hues only as values and ignoring local colors. All the pastels in the new set put me in the mood to try that again (below). It was fun and informative, and I’ve made a mental note to do more of those experiments soon.

9/5/26 Fremont neighborhood

* Back when I worked for a major tech corporation, I said things to clients that probably were seen later as less than true. Although I didn’t feel good when the positioning was changed later to make the initial claims seem deceptive, I don’t believe the intention of the initial positioning was to deceive customers. That kind of change happens often in marketing. That’s why I left the company fairly soon after that.

Rear View of Edmonds Car Show

 

9/6/26 Edmonds Classic Car & Motorcycle Show

Just like the Greenwood Car Show signals the beginning of the summer festival season, the Edmonds Classic Car and Motorcycle Show signals the end. Coinciding with Labor Day weekend this year, the show seemed more crowded than ever, and that’s no surprise: The weather was surprisingly fantastic! Not surprising in that it wasn’t predicted, but it’s just that Labor Day weekend can sometimes be cool and drizzly. What a treat as the crowd meandered slowly to admire all the cars in downtown Edmonds.

As I do in Greenwood (a much larger show), I first walked the entire show snapping photos of my favorites and thinking about which I might sketch. Since all the cars are parked facing the middle of the street where all the show viewers are walking, I couldn’t find a good spot to sketch any from the front. I decided to walk on the sidewalks and sketch cars from the rear!

As has become my personal tradition (doing anything for two consecutive years is a tradition, right?), I finished off my visit with a stop at Molly Moon’s Ice Cream, which has concrete barriers that make convenient seating while facing the street. Enjoying my scoop of Summer Plum as I made my last sketches, I said good-bye to summer in the best possible way.

Sketching outside Molly Moon's during the Edmonds Car Show

I admire this pink T-bird convertible every year!

Labor Day Weekend Friday

9/4/26 drink & draw at Phinney Station, Phinney Ridge neighborhood

USk Seattle kicked off Labor Day weekend in the best possible way with a casual drink & draw on Friday afternoon. I was happy to have Jenny’s dog Balloo nearby to draw several times. As many times as I seem to end up drawing Kathryn and Michael, this time I actually saw a resemblance!

On these waning days of summer, it’s always bittersweet to be able to sit outdoors comfortably in daylight, knowing that the Big Dark will be upon us all too soon.

I hope you’re having a restful Labor Day!

I got engrossed in conversation and didn't finish this one.

Butterfly Garden

9/3/26 Woodland Park Zoo's Butterfly Garden

On the last week before the Butterfly Garden was to close for the season, the Woodland Park Zoo gave members the offer of free admission (usually $3). The only time I’d sketched live butterflies was 11 years ago at the California Academy of Sciences in San Francisco. Remembering that butterflies had been difficult to sketch, I’d never been inside Woodland Park’s exhibit, but who am I to decline a free ticket? I was delightfully surprised to be wrong: Many of the butterflies quietly sat for minutes on end on flowers or, strangely, information placards. They were relatively easy to sketch compared to continually moving animals.

Species identification photos made it easy to label them as I sketched. Noticing how many butterflies were mostly black, I wished I had a black sketchbook with me. I managed to color the Atala and Eastern black swallowtail with a brush pen, but they would have been easier using colored pencils on black paper.

Palm cockatoo in the Conservation Aviary

The most challenging part? Trying to draw foreshortened butterfly wings in perspective!

After spending an enjoyable hour in the Butterfly Garden, I needed to hoof it through the zoo to give myself “credit” for fitness walking and not just sketching. I got almost all the way back around, resisting more sketches, until I got to the Conservation Aviary, which is full of exotic (and sadly endangered) birds. I caught a quick gesture of the palm cockatoo before heading for the exit. 

(See my Instagram post for a butterfly video.)

Mr. Stripey

 

9/1/26 Neocolor II on UglyPads paper

Once again, my friend Alice generously shared her garden’s bounty. I think she picks out the prettiest produce just for me because she knows I will want to sketch it! Last week she gave me Mr. Stripey (the actual name of the variety), a humongous tomato that was so sweet, he almost tasted like he was sugared. I guess I’m going to have to stop eating tomatoes until next summer because anything I eat after that one would be a letdown.

Before Mr. Stripey became salad and caprese, however, he had to sit for me. It was an opportunity to try an idea I had been thinking about: using Caran d’Ache Neocolor II crayons on UglyPads colored paper. I had hoped that the Neo IIs would be opaque enough to cover the paper, and the bright teal blue would sparkle through as an “underpainting.” I had to work harder and longer than I expected to get the coverage I wanted, but the result is exactly what I had hoped for with an oil pastel-like effect. After applying many layers of Neocolor II, I used a dry-ish waterbrush to very sparingly activate some areas. I avoided activating too much because I didn’t want to obscure the underpainting. (I also know UglyPads paper can’t take too much water.)

Once to sketch and once to eat: Thank you, Alice, for the double gift!

I've long suspected that my scanner is no longer picking up some colors accurately. This image from my phone's camera captures the teal blue much better (though not exactly) than the scan at top of page. Hmm... maybe it's time to get a new scanner.

Two Piers

 

8/29/26 Green Lake

Several piers allow access to the water at Green Lake. Other than occasional fishermen, the piers aren’t used much. I’ve sketched several times from the end of a long pier that offers a view of the curve in the lakeshore (above). As I sketched, a young woman silently meditated nearby.

The sketch below, made a few days later, was from a short pier on the opposite side of the lake. Mostly hidden by trees, the pier hardly ever seems used. As many, many times as I have sketched at Green Lake, this was my first sketch ever of Duck Island! Since it’s visible from many places other than this pier, I don’t know why I’d neglected it so long. It’s just a tiny chunk of tree-filled land that birds probably love because humans aren’t constantly walking by. As I sketched, I heard both a belted kingfisher and an osprey (ID’d by the Merlin app) and eventually did see the kingfisher fly over. Although I couldn’t see its details at all, the large bird perched on Duck Island may have been the osprey.

8/31/26 Duck Island at Green Lake