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Saturday, August 27, 2022

In Gratitude of Trees

 

8/5/22 Maple Leaf

In my early years as an urban sketcher, I had so much trouble with trees that I officially declared them a sketching nemesis. (It should be stated here that those were the years in which I was trying to use watercolor on cheap, inappropriate paper and wondering why my trees never looked like Virginia Hein’s or Chris Haldane’s. Even if I’d had the skills, the paper I was using would not have flattered any trees I was trying to paint.)

Many years later, I acknowledged that trees and I had become friends. In fact, I now love drawing them so much that I have taken entire classes at Gage specifically on the topic: once with Kathleen Moore and twice with Kristin Frost. I love trees.

I admit, though, that until I began sketching, I didn’t really appreciate or even notice trees. Sure, I loved the pretty colors they turned in the fall, but beyond that, I hardly gave them a glance or a thought. It was the act of drawing them – either individually as subjects of intense study or, more often, as background or compositional elements – that made me learn to appreciate them.

8/5/22 Green Lake

Even when trees are not the subject of my sketches, I have come to appreciate them during our current long stretch of dry, warm, sunny days: Almost all of these sketches from my daily fitness walks could not have been made if not for the shade of trees. Looking for shade first before I sketch is not something I usually have to consider much (although with the changing climate, its likely to become an increasing consideration). If we’ve ever sketched or painted in the shade of a tree, let’s all say thank you now for their humble, quiet service.

8/5/22 Green Lake

8/5/22 Green Lake

8/8/22 Green Lake

8/9/22 Maple Leaf

8/11/22 Ravenna ravine

8/15/22 Green Lake

8/15/22 Green Lake

...but the job took longer than I expected,
so I was able to get the whole truck.

8/15/22 Green Lake. I worked very quickly, thinking
this line worker would finish before I did ...

8/17/22 The Brothers from Maple Leaf. Mt. Rainier is covered with snow all year round, so I'm always surprised when I see so little white on The Brothers by mid-summer.

8/18/22 Trash day in Maple Leaf


8/21/22 An astonished Mini Cooper in Maple Leaf

8/21/22 Maple Leaf


7 comments:

  1. Virginia and Chris both draw trees as though they were drawing a human portrait. Most of us search for symbols that represent the trees we put in our sketches and they don't identify an individual at all. I think that's why most of us struggle with trees.

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    1. Yes, good point. Taking the classes I did really helped me see and appreciate trees as individuals -- and draw them as portraits rather than scribbled background color. Even as compositional devices, they are more interesting when they are seen as unique, not generic.

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    2. I often think that the urban sketcher approach (small and quick) short-changes everything but the main subject. If I'm going to draw a car in 20 minutes, I can't spend an hour drawing the trees around it (grin). And so the symbols come out and I draw brillo pad trees.

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  2. Trees are all a little (or a lot) different, both in shape and color. I love observing them to see what colors would best represent them. I think all of us plein air painters and sketchers appreciate them for their shade too...especially at this time of year.

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    1. Yes, I'm sure you appreciate shade trees with all the plein air painting you do!

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  3. What a great series of sketches! I particularly like the 8/18 trash day sketch, and the two colored 8/5 ones. Tree portraits have really helped me understand how to show volume and depth; it's a new challenge every time.

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    Replies
    1. Trees never stop being challenging for me, either! Even after all these years.

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