Pencilvember Finale

11-27/24 Faber-Castell 9000 8B
(all studies made in Field Notes Streetscapes
sketchbook)

 

Without a plan or much intention other than to use pencils every day, my Pencilvember challenge began with low commitment at best. I didn’t even finish using the tan-colored Uglybook I started with, even though I vowed to. That was a disappointment because I’ve otherwise been consistent about filling every daily-carry Uglybook before moving on to the next. Something about that color just didn’t do it for me, though, with graphite.

I did, however, use a pencil of one kind or another almost every day of November (I think I forgot one day), which did remind me why I love them so much. Compared to the speed of markers, both colored and graphite pencils require a bit more time, so I tend to reach for efficiency when on the go. Nothing is quite as satisfying, however, as building tones gradually and modulating them delicately with a pencil. I enjoyed being “forced” by the challenge to take the time.

11/29/24 vintage Dixon Typhonite Eldorado 3B

My serendipitous breakthrough came when I viewed the new Ken Burns documentary about Leonardo DaVinci. A small mention of his studies of draped fabric set my brain on fire, and the remaining days were easy to fill with similar studies – all in graphite. I was a bit sorry I didn’t think of the idea earlier – I enjoyed them so much that I could have done a whole month of them (it’s safe to say that now, since November is over!).

I’ve posted all the other Pencilvember sketches throughout the month within the context of wherever I sketched. Here are the last three days of my draped scarf studies. (I took a break from the series on Thanksgiving to sketch the fog.)

For such an unambitious start, I’m happy with the way it went, and especially the way it ended.

11/30/24 Caran d'Ache Grafwood 4B